[Ed Lauter] was an actor's actor. I love working with that class of actor. You know, they come in, they do it, no bullshit. There's no artifice, there's no fanciness, they're just honest and tough and direct.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
For an actor to be working at all is a kind of miracle, because most actors aren't. So it's just silly for a working actor to say, 'Oh, I don't care if anybody knows I'm gay' especially if you're a leading man. Personally, I wouldn't advise a gay leading man-type actor to come out.
I'll just put it this way: I've struggled enough as a working actor - and, most of the times, a not working actor - to know that anytime you are working is a blessing.
I know that I'm better as an actor when I'm working with a good actor. I think anytime you're working with a better actor, it makes you a better actor.
I'm a working actor, and I'm really appreciative to be a working actor, but it's another level when you're a working actor with the likes of Sarah Paulson and Angela Bassett.
Im an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
Every actor has a different temperament. Part of my job is to know what those boundaries are. The actor has to know you'll be there at the other end, that you're trying to represent them in the best light, who they are as they're harnessing these roles. The methods vary from actor to actor.
I'm an actor, full stop. Not an Arab actor. Not an actor of Algerian origin. Just an actor.
I love to read scripts. But I am very happy right now to say that I am a working actor. In this town of Los Angeles, the phrase 'I'm an actor' is overrated. So, I like to say, 'I'm a working actor.'
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
It's important that the actor doesn't feel like they're working in a vacuum. If the actor is told, 'Oh, it's a secret; just play it this way or that way,' it's a bit patronising. I think you have to bring the actor into your thinking and explain things.
Truthfully, most directors don't direct actors. Every actor is different, so when you're asked, "How do you approach an actor?," it depends on the actor. With some, you do nothing. With some, you're very specific.
I don't think it's necessary to be an actor to get great performances out of an actor. But I do think it helps me as a director because I know what I like as an actor, and I try to get that to the actors who I'm working with.
What's with the whole 'child actor' and 'teen actor' thing? You're either an actor or actress, or you're not. I don't get it! I want to be taken seriously as an actor.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.