A Quote by Rob Lowe
[Bad Influence]was David Koepp's first big screenplay. It was actually a writing sample that was around town to get David work at the time, and Steve Tisch - now the owner of the New York Giants - found it, loved it, and together we put it together. But I'd say that would be the one I'd tell people to go and look at if they haven't seen it.
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If I can get that DAM trio back together again - "get the band back together" - and put on a concert of David Bowie's electronic music, that's the way I want to remember David, moving forward into the future of music.
And I have to credit David Jacobs with the opportunities he gave me. He was totally into sharing the creation of characters. David put together a show that told the story of people over many years' time and that was greatly enjoyable. Though nowadays that is frowned upon.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.
Earlier I had been in New York, which was my first time to New York, and I got booked in the Baby Grand up in Harlem there. I was booked there for a week; they kept me there for about a month. That's where Doc Pomus and myself became very close friends and start running together around town and what not.
I loved all sports, and New York's a pretty good sports town, and the Giants - I don't know why we chose the Giants over the Jets, but we chose the Giants.
I always loved singing and writing poetry. I always loved music, and I've loved writing my whole life. When I put them together, it was probably in my early 20s where I put words to music for the first time.
I always loved singing and writing poetry. I always loved music, and I’ve loved writing my whole life. When I put them together it was probably in my early 20s, where I put words to music for the first time.
I've never done a movie in that genre, and I love a lot of those movies. I watched the director's [David Freyne] short film [The First Wave], which I loved. And the script was just so good. He's found this way to tell a new story.
A few years ago I lost one of my dearest friends. He died at age 53 - heart attack. David is gone, but he was one of my very special friends. I used to say of David that if I was stuck in a foreign jail somewhere accused unduly and if they would allow me one phone call, I would call David. Why? He would come and get me. That's a friend. Somebody who would come and get you.
As a schoolboy, I loved Charles Dickens. His 'David Copperfield' has had the strongest influence on me - I looked up to David Copperfield as a role model.
I realized at one point that David and I had not made a record together in almost 26 years and I thought that that was absurd because, first of all it had gone so fast, I didn't really realize, neither did David, that it had been that long.
We are all healers of each other. Look at David Spiegel's fascinating study of putting people together in a support group and seeking that some people in it live twice as long as other people who are not in a support group. I asked David what went on in those groups and he said that people just cared about each other. Nothing big, no deep psychological stuff-people just cared about each other. The reality is that healing happens between people.
Israel is very confusing because it seems to be a Goliath, and in some ways it is, when you look at the tanks versus the Palestinian boy. But deep down, when you look at the big map and the big picture and the big history, we are really a David. We are a David with some megalomaniac ideas who thinks he's huge. But we're not. At the end of the day, Jews as a people are an endangered species. One cannot overlook this dimension.
One big disturbance, I think, between L.A. and New York is that New York is so condensed and together that it's very hard to be private there. There's a lot of constant interchange, people know what you're doing all the time. Here in L.A. it's the opposite, it's very spread out, unless you make a conscious effort to go someplace and look at something, you don't see it and we hear about it. So in that sense, it's a city where you can be very anonymous if you want to be, or even if you don't want to be.
I met Tom Baker doing a voice-over when David [Arabella's friend, David Tennant] wasn't at all well known. We were doing this voice-over together and I said to Tom, 'Oh, my friend's a really, really big Doctor Who fan,' and he replied, 'Wait!' He got his cheque book out and asked, 'What his name?' I said 'David Tennant'. He wrote, 'To David Tennant, seventeen pounds forty five', signed it and I asked him what it meant. He said, 'He'll know'
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