A Quote by Rob Lowe

My first lessons in comedy, how to construct a joke, I learned from Eileen Brennan, who had unbelievable timing. — © Rob Lowe
My first lessons in comedy, how to construct a joke, I learned from Eileen Brennan, who had unbelievable timing.
I think, in comedy, timing is everything. You and I could tell the same joke, but if one of our timing is off, it won't be as funny. You've gotta know when to deliver your punch-lines.
I've had some unbelievable successes, and I've also learned painful lessons through failures so low I can hardly stand to think of them.
You can take lessons to become almost anything: flying lessons, piano lessons, skydiving lessons, acting lessons, race car driving lessons, singing lessons. But there's no class for comedy. You have to be born with it. God has to give you this gift.
I am big on - even with our whole team - it's always about, well, what were the lessons learned? Something didn't work out? What are the lessons learned? What are the lessons learned?
A lot of things matter in comedy - the script, the lines, your timing, the co-actor's timing, how it's shot.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
I learned many lessons from my first race with my heroes. I learned it was easier to breathe when I cried, so I cried often and without shame. I learned that a teammate's faith in you can propel you up any mountain. I learned that winning requires an entirely different mind-set than not losing. I learned that the best teams in the world share not only their strengths but also their weaknesses. I learned that you don't inspire your teammates by showing them how amazing you are. You inspire them by showing them how amazing they are.
You've learned the lessons well. You first learned to live on less than you earn. Next you learned to seek advice from those who are competent. Lastly, you've learned to make gold work for you.
I learned everything the hard way - like, literally, everything. I know that God does that to people that he has lessons for. I just wish that I had learned less extreme lessons.
Lessons that come easy are not lessons at all. They are gracious acts of luck. Yet lessons learned the hard way are lessons never forgotten.
The biggest lessons I learned were probably the times where I had the biggest setbacks and the biggest challenges - when I had the biggest jumps forward and lessons learned.
Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audience shy and uncomfortable. And in a comedy you just want them to loosen up and laugh.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
Our Founding Fathers were the first to articulate the reasons for their First Amendment, the same reasons given by Learned Hand, and by Justice Brennan in New York Times v. Sullivan . It is a lesson we keep forgetting and must relearn in each succeeding generation.
Professor Irwin Corey had some of the best timing in the world, and that is something you can't steal. He talked nonsense, not punch-lines, per se. It was a great performance thing he did and his timing was impeccable. Pat Paulsen was a master of comedy too. The Smothers Brothers' strength was not in the content, but how it was said. We had a couple of our albums, including the Purple Onion album, translated in script form. It didn't work at all. It is no wonder that writers had a hard time writing for the Smothers Brothers, because they wrote impressions, but there was something else.
At first I had no skills in writing comedy. I didn't know what a joke was, but, as someone once told me, your emotions follow your intent. If you create the intention of starting a comedy act, slowly your mind starts adjusting and you arrive at a new emotional state.
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