A Quote by Rob Lowe
[Doctor Cukrowicz] was basically a role where you have two diva actresses - Maggie Smith and Natasha Richardson - and my role was to say, "And then what happened? Tell me more." But I wanted to do it was because a) it was Tennessee Williams, a great writer, and b) it was Richard Eyre, an amazing director. And to work with those two amazing women!
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We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
'Westworld' is going to be incredible, and the production line is amazing. That was really nice because Lisa Nolan, who is in charge there, is fabulous and is a great example of a woman doing that role. So that was great, and she's amazing - an incredible writer and fantastic to work with.
I have such amazing memories [about The Hotel New Hampshire movie], because Tony Richardson was such an amazing director, and the subject matter was so bizarre, and yet it was the most sought-after part at that moment. And then it had the good fortune to come out on the same day as Splash.
I have regretted saying no' to a director who wanted to bank on my dancing skills for an amazing role in the past.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
I had my father, and he was an amazing man and an amazing role model, so I always wanted to mirror that.
When I was young, I wanted to be a dramatic writer, a writer of tragedy. Nothing would've pleased me more than if I could have written like Eugene O'Neil or Tennessee Williams.
Natalie Portman is one of my favorites, and Jodie Foster. Those two are amazing actresses.
I've been able to work on shows with amazing role models, amazing actors, incredible female filmmakers.
It'd be nice to just hear, "You did a great job." I don't say this from personal experience because I have an amazing husband who is an amazing father. I say this knowing he does it all the time. He's always great about saying, "You were amazing today." He does it without me having to ask for it and there's something so beautiful about not fishing for that compliment from your partner that gives you that much more of stability and confidence.
Maggie Smith is an amazing woman, and not as serious in real life.
Being surrounded by great women and amazing role models and good teammates allowed me to unfold and evolve into the person that I am today.
Tennessee Williams is an incredible writer for women because, in many ways, his women characters are him. He writes so passionately.
I was amazed by how much you have to think about as a director. As an actor, you don't have to think about much at all, as it turns out. It's very easy. And then when you step into the director's role, there's this whole universe of stuff that you have to pay attention to that's amazing to me.
Most of my writer friends are women, and they're all extremely talented, so of course I think the state of contemporary fiction for women is pretty great. Which is to say there is a ton of amazing work out there. These women are writing hard. There's much to be said. We're on it, chief.
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