A Quote by Rob Lowe

I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."
I just really enjoyed all that kind of responsibility, I loved the fact that many people cared. I was doing 4 hours of boxing, 2 hours of weights, an hours of accent and dialect training, I just enjoyed having to do all that for this character [ Vinnie Paz in Bleed for This].
I was always the 'boring' type. I was into the stats and spending hours and hours and hours studying them. I was always more a manager than a player.
I find I often just fall into a stone-like sleep, right in the middle of the day, just sort of clonk. I can't work for extended periods when I'm beginning something. But if I'm at the end of something, I can work on for hours and hours and hours.
It can be very thrilling being able to witness Viola Davis do her thing for hours and hours, but there are also no windows, and you're just in a room for fourteen hours trying to keep it together.
I don't have a problem doing interviews. It's not punishment. There's things about it that I don't like. No one else is really saying these kinds of things, so someone has to. I don't think that it's the most humbled thing to talk about yourself for hours and hours and hours.
There are all these great TV series; you can watch all these hours and hours of shows and ideas, but there's still something great about a movie that unfolds in a couple of hours, and you have the complete experience.
If I want to feel as if I'm being sucked down a fathomless gloomy tunnel for hours and hours then I have a complete set of Schopenhauer at home.
I sleep 12 hours and then work 24 hours. I've worked those irregular hours for the past three years. It's better to stay up day and night to come up with ideas. I usually get inspiration for game designing by working this schedule.
I've worked with some people that just spent hours and hours and hours in the mirror, and just so much importance is based on that. And I do find that sad.
I want my work to always be hopeful, in the end. You're giving me two hours, and, in Shots Fired's case, 10 hours of your life. I don't want you to ever leave something I've done feeling worse than when you came in. I hope the work can be aspirational, and aspirational doesn't have to be corny at all.
I would still like to have that luxury, to be able to just sit and draw for hours and hours and hours. In a way, that's what I do as a writer.
[J.F] Kennedy's own accent was inconsistent. So people are inconsistent. And it always kind of irks me when people talk about inconsistent accents, because people are imperfect by nature. So in the end, what you do is, you do an inhabitation and not an imitation.
He spent hours and hours and hours practising these conjuring tricks. It's just such a curious thing.
To be the best, you need to spend hours and hours and hours running, hitting the speed bag, lifting weights and just focusing on training.
I'm a method writer. In order to write about the emotion, I have to experience it. I get physically tired and exhausted, devoting hours and hours and hours to it.
And then it got even worse, I mean, a few people fell by the wayside within hours. Nick Lowe was in it for about 5 hours I think, he was expelled for going to bed.
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