A Quote by Rob Lowe
I look at it like this: that if Shakespeare were alive today, he would have written two or three plays about the Kennedy family, and actors would traditionally play JFK like they Hamlet or King Lear. They just would. I mean, people have played JFK, and they'll play him long after I have.
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King Lear is undoubtedly the greatest play ever written by Shakespeare - or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.
Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince.
Doing Shakespeare once is not fair to the play. I have been in Shakespeare plays when it's not until the last two or three performances when I even understand certain things. In the old days star actors would travel the world doing the same parts over and over again.
I was probably 16.I played - I tried to play these songs that I had written. And, this was a common theme when I was younger: I would write a song about somebody, and they would come to my show. I wouldn't be able to play the whole thing, because, there would be some giant, loaded secret coming up in like, the third verse, or something.
Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.
In publishing 'JFK: Reckless Youth' almost twenty years ago, I had gotten into trouble myself with the Kennedys. Not because of my portrait of JFK - which was highly laudatory - but because I had described his parents, Joseph P. Kennedy and Rose Fitzgerald Kennedy, in less-than-flattering terms.
King Lear by William Shakespeare frightens me. I've never done King Lear, I guess partially because my father dwindled into dementia in his last years and King Lear is such an accurate portrayal of a father figure suffering from dementia - the play was almost intolerable for me.
I would've loved Jack Kennedy. I would've loved to have campaigned for him and supported him. I wish there were more like him today.
I think the parts I was offered when I was younger, where I was asked to play that kind of slacker person, that was just because people would go, "Oh, she has dyed black hair." I guess that's how they thought I looked. I played a couple of those roles, and then unfortunately you get pigeonholed really fast, and then you just keep getting asked to do that. And now it would be weird at the age of 46 for me to play a slacker. It would look like I was nuts.
Our love of Hollywood-style glamour helped elect two presidents: JFK and Reagan, who fulfilled the prophecy that a country so enamored of actors would eventually make one their president.
I think William Shakespeare's like a passport through your life: as a kid hearing about a play with fairies or witches or ghosts, you get excited by that possibility. Then later on you become interested in the psychology or the politics or the beauty of the language. You grow up with the plays. King Lear is one that I don't feel grown up enough to do yet.
I would like to play for as long as I feel like I can play at an elite level, however long that is is how long I would like to play.
I have no desire to play King Lear or Hamlet. I never had a grand ambition. I just followed my nose.
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
I believe in intermissions. I lived through this experience with JFK and Nixon. JFK should have had an intermission. It should have come right after the Donald Sutherland scene, because then there's just too much information flooding in. You need a break. Same on Nixon. It was a long film, but I couldn't help it, with that kind of subject.
He's bent over the strings tuning his guitar with such passionate attention I almost feel I should look away but I can't. In fact I'm full on gawking wondering what it would be like to be cool and casual and fearless and passionate and so freaking alive just like he is- and for a split second I want to play with him. I want to disturb the birds. Later as he plays and plays as all the fog burns away I think he's right. That's exactly it- I am crazy sad and somewhere deep inside all I want is to fly.
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