A Quote by Rob Lowe
I love anything by Joan Didion. Incidentally, she was one of the local moms when I was growing up in Point Dume. She always reminded me a little bit of my mother, so I feel a great affinity. I love the precision of Didion's writing. There's a construction and a craftsmanship to her sentences that's imbued with so much emotion.
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When Nancy Reagan was newly the first lady of California, Joan Didion came and had an hour-long interview. She thought it went great, and then Joan Didion just eviscerated her in the most - possibly not inaccurate - but in the most devastating way.
I love Joan Didion, but I love her writing. I don't think meeting her could solve my problems or make me understand the world better.
To really love Joan Didion—to have been blown over by things like the smell of jasmine and the packing list she kept by her suitcase—you have to be female.
Joan Didion's 'The Year of Magical Thinking' comes to mind as an example of a piece of media that I really respect and would hope to emulate: just her courage in looking at her husband's death and the attentiveness that she has in how she looks at it, and the unflinching gaze that she communicates from looking into death.
I'm so old that when I started keeping a diary they were in actual books, and I think that's one the reasons that I've never written about sex. Because early on you had to worry that someone was going to find your diary, so it's bad enough to be writing like Joan Didion, but writing like Joan Didion about sex acts you'd performed with somebody you had known for 20 minutes, that's a bit worse. So I would write in my diary, "I met J. and we had sex five times last night." But I would never write about what we did.
I think I fell in love with her, a little bit. Isn't that dumb? But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped. And looked at us. She looked at me. Maybe she was trying to tell me something; I don't know. She probably didn't even know I was there. But I'll always love her. All my life.
I've been watching a lot of Joan Didion interviews on YouTube. I love her. My drummer has gotten me into looking at Terence McKenna interviews.
There are stylists I really love. I'm a huge Joan Didion fan - if I wrote something that she might like, then I'd feel very proud. I want the action to move as quickly as it does in A Book of Common Prayer, where one thing bonks right into another very quickly.
I definitely get my artistry and my vocal talent from my mother and mother's side. She sang in a jazz trio band so growing up my dad would always take me to see her play and she has a beautiful voice. When I was little and started to sing, she supported me and let that fire burn. She always knew what it took as a support system.
How will a person know, Selina, when the soul that has the affinity with hers is near it?" She answered, "She will know. Does she look for air, before she breathes it? This love will be guided to her; and when it comes, she will know. And she will do anything to keep that love about her, then. Because to lose it will be like a death to her.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
Sometimes things reveal themselves to you a little bit. I think it was Joan Didion that said, "We write to find out what we're thinking." And sometimes that happens.
I have women coming up to me and saying: 'I love your character! She's so empowered. She takes control; she gets what she wants.' That's another side of her. And I respect that in Joan. She says and does things that I would never allow myself to do.
The difficulty will be to keep her from learning too fast and too much. She is always sitting with her little nose burrowing into books. She doesn't read them, Miss Minchin; she gobbles them up as if she were a little wolf instead of a little girl. She is always starving for new books to gobble, and she wants grown-up books--great, big, fat ones--French and German as well as English--history and biography and poets, and all sorts of things. Drag her away from her books when she reads too much.
I must confess I love female writers: Jane Austen, Isak Dinesen, Colette, Willa Cather, Dawn Powell, Joan Didion. I grew up on the Bronte sisters, and Daphne du Maurier.
Eleanor Roosevelt never thought that she was attractive. She never thought that she was really sufficiently appealing. And I think her whole life was a response to her effort to get her mother to pay attention to her, to love her, and to love her as much as she loved her brothers.
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