A Quote by Rob McClure

My initial introduction to him was - this is a funny story... My Aunt Marian, my entire life growing up, told me that I looked like Charlie Chaplin. That didn't really resonate with me when I was younger - I hadn't seen a lot of his films.
My idol growing up was Charlie Chaplin. I was obsessed with him. I mean, while other kids were watching Jim Carrey and the likes in the '90s, I was watching Charlie Chaplin films, because I was a bit of a geek. I became obsessed with this idea of physical comedy.
Working with Chaplin was very amusing and strange. His films are so funny, but working with him, I found him to be a very serious man. Whereas the films of Hitchcock are macabre, he could be a very funny man to work with, always telling jokes and holding court. Of course, when I worked with Charlie he was getting older.
I could never be Charlie Chaplin. But the films that were made by people like him, or Gene Wilder, or John Candy, the people that inspired me so much were the people that were able to combine humor with heartbreak so beautifully and fluidly. Those films I think were what inspired me to want to come to L.A. and audition for movies.
Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…
He [Charlie Chaplin] was always playing as if it were to the camera, if you've seen the live shots of him when he's going to an opening night or something like that. And the skills that he had were beyond my ability to throw together. You just couldn't really compete with him. He was too athletic at that.
Know that, as in life, there is much that many have looked upon but few have seen because, as my father told me and his father told him, you will come to learn a great deal if you study the insignificant in depth.
When I was growing up, I idolised my father. I thought his ghost followed me around the house. I had been told how he adored me, how I was funny, just like him. Because of our lovely Catholic upbringing, I secretly assumed that he would eventually come back, like our good friend Jesus.
My dad hasn't said much about his college days. Oh, a few times, he might start telling stories. And I've seen some highlight film of him from college. I remember thinking he looked really small. Which is funny, because growing up, I thought he was a pretty big guy.
I had a very late introduction to films. We didn't watch a lot of films while growing up in Kolkata.
When I got the episode where Spider-Man meets Aunt May (voiced by Misty Lee), it was another one of those things where I was like, "I can't believe I have a scene with Aunt May. That's just amazing to me." And they drew her a lot younger and hotter then the Aunt May that I remember.
When I was younger, I didn't have that type of person that I could look up to and be like, 'OK, this is someone who dresses like me and I relate to.' I didn't have that growing up, so to give that opportunity to a younger generation of women - and not just Somali women, but anyone who feels different - that means a lot to me.
I'd never studied film. I had movies that I loved and movie stars that I looked up to, but I really had not seen a lot of the great classic films that he felt like he wanted me to see before I took on such a huge role.
For Keeping the Faith, I looked at [George ] Cukor's old films like The Philadelphia Story, stuff that's hilariously funny and really smart with a cutting critique in the humor, too. With this, when I read it, I was laughing a lot.
Growing up at United and training with him day-in, day-out, you learn a lot from him. Wazza is always there, and you can talk to him. He has been through a lot of experiences in his life, and he is always happy to pass that experience down to the younger players.
When you see Charlie Chaplin, he stays funny. He doesn't become drama, and so what really seems to endure is comedy.
The end of 'City Lights' makes me cry every time I see it - when Charlie Chaplin walks by the shop window and the once-blind girl brings him a flower and pins it to his lapel.
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