A Quote by Rob Paulsen

I love to improvise when it's appropriate and encouraged by a producer. — © Rob Paulsen
I love to improvise when it's appropriate and encouraged by a producer.
With 'Friday Night Lights,' we were encouraged to make it our own and improvise as much as we wanted.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.
I love when people improvise as long as they're great improvisers, what I mean by that is people can improvise within their characters and within the scene.
Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.
Acting is constricted because you have the lines. But I improvise with it and what I learn on the set. I improvise rhythms and just changes.
There's nothing wrong with an actor that can't improvise, but if you're going to improvise, you gotta make sure you got people that can play the game.
I have great faith in the actors. When they improvise, it always sounds better than the stuff I write in my bedroom. When they improvise, they make it sound alive.
You need to find the size of performance that's appropriate to the material, appropriate to the shot, or appropriate to the scene.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
Religion can make it worse. Are you supposing that if people were encouraged to believe in a transcendent reality, and to be encouraged by grand rituals and music and preaching, to love their neighbors, then they would put jealousy and frustration aside?
I think it was around the time of doing those shorts. [Producer] Christine Vachon, I had a meeting with her, and she mentioned the short, this AOL short, and asked if I wanted to do one. And then the next step was the "30 for 30," and again that boosted my confidence enough to decide I'm going to do a feature narrative. And I was supported by my agency, and [producer] Jane Rosenthal has been an exceptional friend, and she produced "All We Had," she encouraged me to do the "30 for 30."
I love Deadmau5 as a producer, as a person. He's super interesting. He's very funny to follow on social media. But as a producer, he gets every single credit I can give him. He's nuts.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings a certain freshness and a reality to it, as long as it doesn't go too far out of the box.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings certain freshness and a reality to it, as long as it doesn't go too far out of the box.
See, that's the thing: I'm not one of those actors who thinks, 'God, I've got to improvise and make it my own.' No, my first job as an actor is to take what's written and make it work. And then, if they want me to improvise, I'll do that.
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