A Quote by Rob Pilatus

Suddenly, I was interesting to girls. I wasn't just a Kunta Kinte. — © Rob Pilatus
Suddenly, I was interesting to girls. I wasn't just a Kunta Kinte.

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Schoolkids - black and white - would call me Kunta Kinte as a cuss. If ever my hair was particularly messy, if ever I looked scruffy at school, I would be called Kunta Kinte. My first impression was that it was bad to be African and bad to be associated with him.
When I was in school, my first acknowledgement of 'Roots' was Kunta Kinte.
Kunta Kinte is NOT an American, and he utterly rejects that idea at every turn.
Playing Kunta Kinte is an emotional, physical, spiritual, and mental journey.
Kunta Kinte is the closest thing I've ever seen... to a superhero. He's amazing. He's inspirational.
One of the biggest things that I took from playing Kunta Kinte was where his strength came from in knowing where he was from.
I was thinking, 'What is it about Kunta Kinte that allowed him to live such a long life?' For me, what came down to it was his spirit and his knowledge of self.
Kunta Kinte's strength derives from the knowledge of where he comes from, but it struck me that I don't know where I come from. I understand that my last name is Kirby, that I was born in London, third-generation Jamaican, and at some point along the line, that name was changed. I didn't know my history past my grandparents.
I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls. There was just this sense that all these young women knew there were openings here to be the first of their kind.
I love a lot of these older actresses, like Cicely Tyson, who played Kunta Kinte's mother in 'Roots.' She was really great, and I like seeing her because every movie she plays, she plays a strong character. As a kid, she was really inspiring to me.
The two lines from 'Roots' that stick out to me are, 'You no more in Africa. You in America now,' and what I said after Kunta escaped: 'What is it like to be free, Kunta? It must be something.'
I'm not so interested in perfect, plastic beauty, and I think it translates in the girls I've shot over the years for Nars, from Guinevere to Iris to Mariacarla. I love those girls. I love the more interesting faces, with maybe a strange nose, not just the Texan blonde. By picking those girls, I think it's changed what I've seen in other campaigns.
It's interesting because we live in a country where the obesity is so enormous. And then the reflection on the runways is girls that are so thin. So there's two extremes that are almost like a reflection of themselves, and it's very hard to be in the middle with girls that are just healthy.
There's only one thing worse than not paying attention to girls in gangs - it's paying attention to girls in gangs. The public reaction to girls and women who engage in nontraditional behavior - the hysteria that often surrounds girls in these groups - is almost as interesting as the behavior itself.
I always say there's no more little girls, just boys with breasts. Girls act like boys nowadays. Teenage girls, they go after boys. They're predatory just like boys. My goal is to keep my girls, girls.
When young girls are encouraged to explore what they find interesting, they grow up to be interesting women.
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