A Quote by Rob Pilatus
We were living together in the projects, with two other musicians in Munich. We had nothing to eat, and we were unhappy. We wanted to be stars. And suddenly this guy gave us a chance, and we took it.
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My parents were serious working musicians, but they were not stars - not like pop stars that you have now. They had to make a living and that meant touring, working hard, going on the road - and we were roped in.
They were so much alike and they become best friends. It was a wonderful relationship. They respected each other, and they never put each other down. With every step they took together, they were happy. There was no envy or jealousy; there was no control, there was no possessiveness. Their relationship kept growing and growing. They loved to be together because when they were together, they had alot of fun. When they were not together, they missed each other.
Man, we were so opposite. One guy sang high, the other low. One guy tall, one short. We were like a quartet without the two guys in the middle. If you were putting two guys together to make hit records, you wouldn't have picked Bobby and me.
We were young, we were wild, we were restless
Had to go, had to fly, had to get away
Took a chance on that feelin'
We were lovin' blind borderline wreckless
We were livin' for the minute we were spinnin' in
Baby we were alot of things, but we weren't crazy
What happened was I was a songwriter on Quincy Jones' publishing company, Qwest, for two and a half years before I gave him the song for Michael Jackson. He had a meeting with the songwriters. I think there were about six of us on the West Coast and we all had a meeting at his house where he sort of gave us an outline of what he wanted. To finish this BAD album Jones needed one more song to round out the album. I took notes and then I then took my notes to my writing partner Glen Ballard.
These boys, now, were living as we'd been living then, they were growing up with a rush and their heads bumped abruptly against the low ceiling of their actual possibilities. They were filled with rage. All they really knew were two darknesses, the darkness of their lives, which were now closing in on them, and the darkness of the movies, which had blinded them to that other darkness, and in which they now, vindictively, dreamed, at once more together than they were at any other time, and more alone.
I did exactly what I wanted to do. It was always my intention to put a band together and be a band and not be about the solo pop guy. That was never me. All of the musicians that made me do what I wanted to do were bands. I didn't see it any other way.
We packed up all the worldly possessions we could carry with us and took the next flight to Hawaii from Washington. It took just about every cent my family had to our name just to pay the plane fare. When we arrived, we had about $15 left among us. We were really in pitiful shape. But we were together, and we were alive, and this was all that mattered.
There were a lot of negatives, of course, but there were positives to living a life unfettered by possessions. It gave us the chance to focus on education, which was very important in the Soviet Union.
Before you, Bella, my life was like a moonless night. Very dark, but there were stars, points of light and reason. ...And then you shot across my sky like a meteor. Suddenly everything was on fire; there was brilliancy, there was beauty. When you were gone, when the meteor had fallen over the horizon, everything went black. Nothing had changed, but my eyes were blinded by the light. I couldn’t see the stars anymore. And there was no more reason, for anything.
Our two biggest rivals had adjusted their whole season to this one aim of beating us. Of course, it is a big compliment that they were so motivated to stop us but it was very tough to face two matches like that so close together. Suddenly three trophies are down to one.
We all kind of grew up together with Art Blakey because we all were young and he gave us a chance to write. We had to write something that was good and to sit up with a great guy like Art Blakey and watch him.
It was the 'Gaucho' album that finished us off. We had pursued an idea beyond the point where it was practical. That album took about two years, and we were working on it all of that time - all these endless tracking sessions involving different musicians. It took forever, and it was a very painful process.
There was our house in New Orleans. Two blocks in front of us were these beautiful mansions and two blocks behind us were the ghetto, projects, and that's where I had to go to school, but I would always pattern my life looking forward. It was almost literal.
We were together because we were addicted to each other. I was never as intoxicated as I was when we were happy together, and I knew it was the same for him. We were putting ourselves through the wringer for those moments of perfection between us, but they were so tenuous that only our stubbornness, determination and love kept us fighting for them.
The earthquake in Haiti was a class-based catastrophe. It didn't much harm the wealthy elite up in the hills, they were shaken but not destroyed. On the other hand the people who were living in the miserable urban slums, huge numbers of them, they were devastated. Maybe a couple hundred thousand were killed. How come they were living there? They were living there because of-it goes back to the French colonial system-but in the past century, they were living there because of US policies, consistent policies.
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