A Quote by Rob Riggle

When you go out there to do comedy, you feel like you're doing battle with the audience a lot of the time. You're either going to get 'em, or you're not. — © Rob Riggle
When you go out there to do comedy, you feel like you're doing battle with the audience a lot of the time. You're either going to get 'em, or you're not.
Audiences - they like colour, you know. I can go out there wearing a red suit, man, and they'll say I'm out of sight ... I think they should be educated; you should always drop something on an audience ... When you get in front of an audience, you should try to give 'em something. After all, they're there looking at you like this. You can't go out and give 'em nothing.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
I've worked in a lot of elections and it can feel like you're fighting a battle. You get into a mindset of 'we've got to win. If they're doing it, we're going to do it too.'
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
The more downtime we have, the more time you have to play games like 'Ghost Recon Future Soldiers,' so for me it's a fun way to get integrated into video games and for me to have fun with my buddies and team up and go into battle with 'em, kind of like out there on court.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
If you're not doing something right, you can feel it on stage, and if it isn't going well, the audience will tell you. A teacher can teach you sense memory and this and that, but until you get in front of an audience, you don't really feel it.
I've come to the realization that if I don't feel like sharing, then I'm just not going to share. But I'm not going to go out of my way to mislead people or keep them at a distance, because that doesn't really get me anywhere either.
And you get into that sort of cannibalistic feeling - all you want to do is go out there and, like I say, kill somebody. I'm going to get him. I'm going to kill'em. Not like you are going to put them into the ground after, but you just want to kill a guy.
I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.
I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.
I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
I moved out to L.A. to be a filmmaker or director. I didn't even think about doing comedy or even acting. I wanted to be like Paul Thomas Anderson or Wes Anderson, but I wasn't going to a lot of comedy.
I'm a fan of daytime drama; I totally get it. When we are doing scenes that are romantic or will get the audience riled up, I feel like I'm a fan in the room going, 'People are going to be so mad right now!'
MC's they retreat cause they know I can beat 'em, And eat 'em in a battle and the ref won't cheat 'em. I'm the best takin' out all rookies, So forget Oreos...eat Cool J cookies.
I used to spend a lot of time alone as a kid, creating characters and doing voices in my room, and I thought to myself, I'm either going to go absolutely nuts, or I'm going to find something to put that energy into.
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