At 18, my first short story was published - I was paid a penny a word by a science fiction magazine. I continued to write, and five years later I published my first novel, 'Sweetwater.'
[Facebook] is shaping a broader web. If you look back for the past five or seven years, the story about social networking has really been about getting people connected... But if you look forward for the next five years, I think that the story people are going to remember five years from now isn't how this one site was built; it is how every single service that you use is now going to be better with your friends.
'The Immigrant Story,' which took me about twenty-five years to write, was a very simple story, but I couldn't think of how to tell it. Then twenty years after I started it, I found this one page and realized it was going to be the story. That's the only way you get it sometimes.
I spent five years of my childhood in Port Elgin and came back to spend another five years of my young adulthood there as well, including the years in which I was first published.
It is no fun at all to have been writing a book for seven or so years, especially when you've never published anything before.
I got a very late start at fatherhood. I'm a late bloomer in general. It took me seven years to get through four years of college. I was five years away from 40 before I had a family, and I had never been around kids much at all. All of a sudden, I was around three boys all the time.
I basically took six or seven years off, but then I had another five or four of me not working at all because I was in school. It was really 13 years of me not working at all... I really couldn't even think about it.
I spent seven years in France. Then, I went to Asia for five years. I came to London in 1984 and then America in 1985. In 1991, I opened my first restaurant in New York City.
It took me ten years and seven books to bag an agent - it took me that long to start writing good.
One thing I learned is that the park by the river in a recent story, 'Getting Closer,' is the same park by the river that appears for a moment near the end of 'The Eighth Voyage of Sinbad,' a story first published 23 years earlier. This echo at first irritated me, then pleased me deeply.
I'm not a haiku artist, but I wanted to use the phrase 5, 7, 5 in the melody that flows over time. So the string melody, the first one is five notes, the next one is seven, and then the third one is five.
I've been preparing [Chinese Zodiac] for seven years, spent seven years on writing the script, spent over a year on filming it.
It took me 10 years to write a story that pleased me - that I could look at after it was published and not cringe.
My history has been to grow the roots as deeply as you can before going on to the next thing. That's why it took 10 years to go from Union Square Cafe to Gramercy Tavern, and another 10 years to go from Blue Smoke's first location to its second, and five to go from Shake Shack 1 to Shake Shack 2.
That's been my routine for years and years... Up early before everybody else, before I get connected, before I get bugged, before I have obligations. Get the writing done first, then be the person I want to be in other ways after that.
So my husband is a health nut. He's a plastic surgeon, and over the years, he's explained to me exactly how important it is to take care of our bodies. It took me years to grasp this concept, but I finally got it, and it's a lifestyle for me now. When we go to a party, we eat off the veggie tray first before moving on.