A Quote by Rob Schneider

First of all, weren't all the best beatings in the trailer for 'The Passion of the Christ'? I hate when the trailer gives away all the best stuff. — © Rob Schneider
First of all, weren't all the best beatings in the trailer for 'The Passion of the Christ'? I hate when the trailer gives away all the best stuff.
A lot of times, you watch a trailer for something, and then by the time you get to see the actual movie or show, you realize that the best parts were in the trailer.
One of my biggest disappointments is watching the trailer for the second Lord of the Rings film and having Gandalf in it. Why? He died in the first one, why give it away in the trailer just to try and sell 1000 more seats? It's daft.
You were there all day long, 12 hours a day. So there was none of this, 'I'm going back to my trailer, my trailer's bigger than your trailer,' that kind of Hollywood nonsense.
I have a bag with a toothbrush and toothpaste and all the things I might need during the day. I call the bag my trailer. Sometimes you don't have a trailer, so that's my trailer.
One of my biggest disappointments is watching the trailer for the second 'Lord of the Rings' film and having Gandalf in it. Why? You know, he died in the first one, why give it away in the trailer just to try and sell a thousand more seats? It's daft.
When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like, 'What was that! I've got to see that! What the hell was that?'
The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
The beating heart of your story... that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
If you're not grown up enough to understand that a trailer is not done by the director, then fine. Judge the movie from the trailer.
I didn't want to be looked at as a below-the-poverty-line kid. But now I think, that trailer is where I got the ambition. The anger. If we had a better life, I wouldn't be here. That trailer made me.
In many ways, a teaser trailer these days has just become a short version of the full-length trailer, as opposed to something that grabs you and teases you and makes you go, 'Whoa, what is this?'
If people don't like the trailer, then blame it on the people who made the trailer.
In 1938, when I had decided that the only way to see the country was in a trailer, and I built the trailer which I still have and lived in it for eighteen months, and learned America from San Diego to the Canadian border, from Miami to New Jersey, and east to west in between.
I grew up pretty much living in trailer houses. The third and final trailer house was called an 'Expando' because you could actually crank it open from 8 feet to 15 feet wide. It was a virtual palace for my brothers and I.
I think there is also a certain degree of expectation that's set up by trailers, where even if you know what's going to happen in parts of the film based on the trailer, you almost anticipate and look forward to those moments based on having seen the trailer.
I don't think the government should be in the trailer-park business. I don't think they know how to run a trailer park.
This site uses cookies to ensure you get the best experience. More info...
Got it!