A Quote by Rob Sheffield
In their heyday, the Pet Shop Boys were the Interpol of the Eighties, dressing up to sing really weird pop songs about lust and loneliness in the big city. They're low-pro now, not retro-worshipped in the manner of Depeche Mode, New Order, or The Cure, but you can hear the reason why - these guys are too sad.
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We used to have quirky weird bands that made dance music like the Pet Shop Boys and Depeche Mode and I think people have still got an appetite for that type of music-melody and darkness.
If reggae comes from another country, you can have the relationship to reggae that I have to rock. But it's something I grew up with. It's probably something I appreciate more now. In the '80s, I was all about New Wave and synth pop - New Order and Depeche Mode and Eurythmics and Michael Jackson and tons and tons and tons of Prince.
You can get too bogged down in technology and you can sort of forget what it is you were trying to do. And with the Pet Shop Boys it's primarily about the songs, it's about song writing.
As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.
Even if my songs are a bit low-spirited, they make me happy. I become happy when I hear sad songs. When you sing about sad things in a beautiful way, the atmosphere turns upside down
There's always this weird dark humor within a lot of Depeche Mode songs that people miss, tongue-in-cheek and also very British.
I like dark music and I want to wear those goth clothes in school. And I suddenly discovered this whole world of music that I totally loved. The Cure was my favorite band, even though they're not specifically a goth band. I was listening to everything from The Cure to Depeche Mode to Siouxsie and the Banshees and Bauhaus and all of that stuff. It was just this release for me. I was able to channel a lot of my loneliness and my feelings of being misunderstood, and I could go into this world where it was okay to be really eccentric.
I loved the whole New Romantic, New Wave thing... New Order, Soft Cell, Depeche Mode, Gary Numan, Blancmange, Yazoo.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
Many pop songs seem to be more potent now than in their heyday.
My first boyfriend was a surfer. We bonded over loving the sun, Depeche Mode, and The Cure.
If the Beastie Boys and the Beach Boys and Pet Shop Boys can stay boys, so can we.
I think we're definitely playing up to characters. We see ourselves as a pop band. I don't have a pseudonym because I don't really need one, because I've got a weird name, but everyone has a stage name, and it's about a certain amount of escapism, really. The songs are inspired by the personal, but because there are seven of us that work on the songs together, they end up becoming Pipettes songs, rather than about any one individual.
I always felt it was weird, that retro thing where guys showed up in zoot suits and tried to talk as if they were from some other time.
You hear people sing songs about when they really can't stand anyone anymore or you hear people sing songs about when they really love someone and they really love them.
I tend to listen to the artists that originally inspired me to start playing music in the first place, because there is a multitude of wisdom that can be gained by bands like Black Sabbath, Depeche Mode, Pink Floyd and the Cure. I think if we were to pay close attention to what's on the radio right now then we'd lose our identity entirely.
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