A Quote by Rob Sheffield

'I'll Tumble 4 Ya' has to be one of the most ridiculous hit singles that any international superstars have given the world. — © Rob Sheffield
'I'll Tumble 4 Ya' has to be one of the most ridiculous hit singles that any international superstars have given the world.
When I played, a pitcher could throw at you any time he wanted to. In fact, he could tell you he was going to throw at you, and there was nothing said. You had to take it. If he hit ya, he hit ya.
It's a total big difference between a person that got lyrics and a person that can make hit singles. I'm a person that can make some hit singles. I'm not in no booth trying to be a lyrical genius. I'm preparing to make me some singles, and as I develop as a man, then they'll respect my emcee skills.
I must be honest here; I don't think there's such a thing as 'unconventional' when it comes to YA. YA readers are the most open-minded in the literary world. They'll read anything.
Chaung Tzu was one of the most natural men the world has seen. He has not given any discipline, he has not given any doctrine, he has not given any catechism. He has simply explained one thing: that if you can be natural and ordinary, just like the birds and trees, you will blossom, you will have your wings open in the vast sky.
The world of high-stakes international diplomacy can be rough and tumble, but it's more often than not a procession of suits and summits, protocol sessions and photo ops.
Most of the international community, most of the countries around the world, don't want any side, any party to take unilateral steps. They would like that all of us to stick to the road map.
I'm popular in the United States and I'm popular in England. England is just more concentrated. The people are closer together. Venues are closer together. Many albums of mine have been popular in England, but, no hit singles. All the hit singles I had were before I went to England. So, I'm not necessarily more popular in England, I'm just popular in England, and more so for my performances than hit records. But, I enjoy doing concert halls all over America, England, Scotland and Australia.
The only thing that makes a book YA is that it is about teenagers, and it is written in a very conventional, non-artsy, non-pretentious way. YA is not the place for the oblique or the cryptic. If it is in any way experimental in form, it is not YA.
Now we're in an age of singles. It's actually always been more about singles for most of music history.
Tag team wrestling is what put myself, Edge, the Hardys and the Dudleys all on the map. It made us into WWE superstars, and without that, I don't think that my singles career would have gone to the places it went to.
I want to hit line droves. I want to hit my doubles, my singles, get on base.
Shake what ya momma gave ya and most of all be sassy
It could be enough, maybe, or at least a start, but the problem is that at night I tumble into dreams that aren't dreams at all. I tumble into memories and wake up aching for a dying world and a quiet, cold life that offered me nothing but sitting in a still room.
My audience is the baby-boomers, the bulk of the population. This is also a group that is being ignored by most record companies because they're not the Top 40 hit singles market. They forget these people still listen to music.
To be clear, people are the most important part of any classroom. If given the choice between a great teacher and the world's most advanced education technology, I'd pick the teacher any day for my own children.
When I see ya baby girl, I miss feelin on ya. I miss everything that's real about ya and that's everything about ya, that's just how I feel about ya
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