A Quote by Rob Thomas

She thinks that happiness is a mat that sits on her doorway. — © Rob Thomas
She thinks that happiness is a mat that sits on her doorway.
Happiness don't ask to see who you be afore her sits down at your table. 'Er comes and sits with them as know how to welcome her and keep her the willing guest.
She came into a room; she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered. Not that she was striking; not beautiful at all; there was nothing picturesque about her; she never said anything specially clever; there she was however; there she was.
She sits down and puts her hand to her chest and rocks. Thinks of all she has lost and will lose. All she has had and will have. It seems to her that life is like gathering berries into an apron with a hole. Why do we keep on? Because the berries are beautiful, and we must eat to survive. We catch what we can. We walk past what we lose for the promise of more, just ahead.
Wisdom, sits alone, topmost in heaven: she is its light, its God; and in the heart of man she sits as high, though groveling minds forget her oftentimes, seeing but this world's idols.
Mat had tried to make her say she saw a hat floating around Mat's head. That would persuade Tuon to stop trying to get rid of his, would it not?
Sometimes I sits and thinks. Other times I sits and drinks, but mostly I just sits.
I am part of what she thinks is her illness, a symptom of which she thinks she has been cured. She, on the other hand, is what I was looking for.
He thinks about her, at this moment, in her house, a few thin walls away, packing her life into boxes and bags and he wonders what memories she is rediscovering, what thoughts are catching in her mouth like the dust blown from unused textbooks. He wonders if she has buried any traces of herself under her floorboards. He wonders what those traces would be if she had. And he wonders again why he thinks about her so much when he knows so little to think about.
The ignorant soul bride wanders in delusion, in the love of duality, she sits like a widow. She sits like a widow, in the love of duality, infatuated with Maya, she suffers in pain. She grows old, and her body withers away.
She sits in the driveway, freezing, for thirty-six minutes. Arguing with herself. Because she thinks she's in love with him too. And there are two ways she can be a fool in love right now. She chooses the harder one. And knocks on the door.
When he held her that way, she felt so happy that it disturbed her. After he left, it would take her hours to fall asleep, and then when she woke up she would feel another onrush of agitated happiness, which was a lot like panic. She wished she could grab the happiness and mash it into a ball and hoard it and gloat over it, but she couldn't. It just ran around all over the place, disrupting everything.
She sits in her usual ample armchair, with piles of books and unopened magazines around her. She sips cautiously from the mug of weak herb tea which is now her substitute for coffee. At one time she thought that she could not live without coffee, but it turned out that it is really the warm large mug she wants in her hands, that is the aid to thought or whatever it is she practices through the procession of hours, or of days.
Olive Ann describes Sanna as 'a perfectionist and a worrier.' She is obsessed with the idea of finding happiness, and for her, as Olive ann wrote in her notes for the novel, 'happiness means being first with somebody, having perfect, loving children...The theme of Sanna is disillusionment,' Olive Ann wrote. 'Her life is the pursuit of happiness and perfection, but she finds happiness and perfection impossible to obtain-her idea of happiness is constant joy, no changes.
A teenage girl lay asleep on the sofa, curled up under a red-and-black knitted afghan. She was on her side, with one slender arm cradling a throw cushion nestled under her head. Long wavy blond hair spread across her back and her shoulders like a cape. Even though she was sleeping, Alex could see how pretty she was, with her delicate, almost elfin features. He stood in the doorway, watching the soft rise and fall of her chest.
My Muse sits forlorn She wishes she had not been born She sits in the cold No word she says is ever told.
I look at my grandmother, and she has this grace and class about her. When she walks into a room and sits down and talks to someone. Everything she does in life. I feel that women of her generation were really taught that.
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