A Quote by Rob Thomas
Having gotten TV shows on the air, that's so much less work that trying to get the 'Veronica Mars' movie made.
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Trying to convince Warner Bros. to make a $30 million 'Veronica Mars' movie just wasn't going to happen, for understandable reasons.
I very much miss trying cases - I knew that I made a difference in the world working with crimes directly and trying to get verdicts that spoke the truth. On TV, you never really know what effect you're having.
When Veronica Mars was canceled, the following season of pilots for The CW had been announced, and one was Gossip Girl. I read it, and I knew I was sort of old to play any of the kids. I called Dawn Ostroff -- who was the head of The CW at the time -- and said, 'Hey, I did so much narration on Veronica Mars, can I narrate this show? And she said, 'Hey, that's a very good idea.' They knew I had a younger voice, they liked me and they knew I'd show up for work, and I guess that was all I really needed. It was so clear to me how sassy and catty she needed to be.
The world domination plan goal is that I would love Veronica Mars to become a brand like Sherlock Holmes is a brand, like Nancy Drew, in a way, is a brand. When people start listing who are the great fictional detectives, I want Veronica Mars to make that list. That would be the dream scenario.
In all seriousness, I'm flattered and humbled to have been asked to reprise my role as Luke in the 'Veronica Mars' movie.
The thing I'm scared of most is not fulfilling my work. There's so much anxiety around trying to get a movie made that you don't really get to be afraid of anything else.
I think the sheer hell of trying to get a film made; I don't know if it would ultimately be worth it. The sort of format that I have, these TV things, sit somewhere between documentaries and reality shows and entertainment shows and dramas.
One reason I relate to 'Veronica Mars' fans is because I can totally geek out about shows. I mean, I write Vince Gilligan fan mail every year.
There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
When I landed in L.A. in early '89, William Morris decided to take me on to see if I could get any jobs. I was cast in a TV movie called Protected Surf, and made $30,000 in four weeks, and I decided I needed to take acting seriously, because I had never made that much money in a year, much less four weeks. That's when I decided I thought I could make a career out of it.
Over the years, TV has gotten so much better, especially with the advent of cable. The bar has been raised. I think HBO really set the standard with The Sopranos, and then on mainstream TV, shows like Lost broke amazing ground.
I know I'm in the exceptional position of having money, but I didn't have it for many decades. I'm always trying to get shows put on for 25 per cent less production costs.
You're used to a TV show, and TV is just made for TV shows. It's not made for live events.So anyways, I was resistant to it, but I did it anyway.
Who doesn't love Veronica Mars?
Get your work in, do what you need do, and get back up top. I'm a little bit behind the curve as far as not really having a spring training, so you're trying to get your work in, trying to work on things, and at the same time, you're also going out there trying to be competitive.
I don't have a fear factor. Well, not much of one. And I'm willing to risk quite a lot - as a comedian, you're always risking a lot. You're risking failure, especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.
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