A Quote by Rob Urbinati
I like to figure out what the production opportunities are for the things I'm interested in before I put pen to paper.
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I love writing thank-you notes. There's something very nostalgic to me about the feel of a card and putting pen to paper. How many times in our lives are we required to put pen to paper anymore?
My pen.’ Funny, I wrote that without noticing. ‘The torch’, ‘the paper’, but ‘my pen’. That shows what writing means to me, I guess. My pen is a pipe from my heart to the paper. It’s about the most important thing I own.
The mere physical man is like the ant crawling on the paper, who observes black lettering and attributes its production to the pen and nothing more.
Before I even put pen to paper, in any sense, I'm like, "What's the coolest MacGuffin you can come up with? What are the last frames of this series?" The secret that's behind this entire thing is to be as evocative, original, thought-provoking and timely.
Well, I mean there are so many producers that inspire me. I used to try to imitate production by certain people. And now I'm only interested in doing the opposite of that. I'm only interested in doing production that like no one's ever done before.
Before you put pen to paper, before you ring for your stenographer, decide in your own mind what effect you want to produce on your reader — what feeling you must arouse in him.
Like everything, what compels one to put pen to paper is a great question.
I revise like crazy. I start revising before the pen hits the paper.
It's an illusion I've noticed before-- words on a page are like oxygen to a petrol engine, firing up ghosts. It only lasts while the words are in your head. After you put down the paper or pen, the pistons fall lifeless again.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
I have a tendency, more than most other physicists, to try to figure out everything all at once, before I publish. And even to try to figure out everything in my head, without pencil and paper.
A lot of organizers are trying to figure out how do we create entrances for people so they can be involved in the work in a way that makes them feel is aligned to the things they're interested in and not the things the organizer is interested in?
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
I used to only like writing with pen and paper, but because I travel so much, I started to lose the paper.
I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.
I didn't think I was in a morbid mood, but it appears I am. My mind goes round and round trying to figure things out, but I always come back to the same two things: Loneliness and Death. Life ends before we figure anything out, most importantly how not to be lonely. Solitude is fine. But feeling like you have no one to love - abject lonliness - is not alright.
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