Green Day is like sex, when were good, were really good, when were bad . . . were still pretty damn good.
We have really good parents, and even though they broke up when we were little, we were still raised by two people who had really good ethics. They were never going to let us turn into Paris Hilton. I think that it wasn't really an option to become spoiled brats.
Knowing that we were doing good work and the stories were good. They were original and charming. They weren't particularly violent or sexy or any of that. They were just unique and that had a good feel to it.
Elvis and I were very good friends. We were such good friends that, on the day that he passed, I was the first one his father called, to let me know what had happened.
They didn't act like people and they didn't act like actors. It's hard to explain. They acted more like they knew they were celebrities and all. I mean they were good, but they were too good.
I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters.
I went through a really good-looking phase from birth to 9. And then things went crazy. I don't know what happened, but between 9 and 14 it was really, really rough. I didn't have a lot of friends. The only ones who were nice to me were the theater kids. And they were like, 'You can come and join us. No one likes us.'
I went through a really good-looking phase from birth to 9. And then things went crazy. I don't know what happened, but between 9 and 14 it was really, really rough. I didn't have a lot of friends. The only ones who were nice to me were the theater kids. And they were like, 'You can come and join us. No one likes us.
We had a happy marriage because we were together all the time. We were friends as well as husband and wife. We just had a good time.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
I didn't really think my music was good enough to be heard by anyone. I had some friends who were releasing records who were older than me, and within that group, I was always the younger, patronized friend who was making tunes as well, which everyone thought was cute.
I have friends that are much better actors than I am that had to quit the business because they couldn't survive the auditions or the rejections, or people just didn't realize how good they were.
There are times I think of us all and I wish we were back in second grade. Not really that young. But I wish it felt like second grade. I’m not saying everyone was friends back then. But we all got along. There were groups, but they didn’t really divide. At the end of the day, your class was your class, and you felt like you were a part of it. You had your friends and you had the other kids, but you didn’t really hate anyone longer than a couple of hours. Everybody got a birthday card. In second grade, we were all in it together. Now we’re all apart.
When I first started, in 2006, it was an exciting time. Independent, cool, weird artists were being successful, and magazines were writing about them, and people were getting played on radio that were, like, really good.
I think the actors in 'Greystoke' were amazing. They had a really good performance coach called Peter Elliott who's, of his time, one of the greatest simian performance coaches for actors.
That same preface also contains a single line that really does sum everything up: 'Some other places were not so good but maybe we were not so good when we were in them.'