A Quote by Rob Walton

I've done work for hire. I've worked for DC and Dark Horse. — © Rob Walton
I've done work for hire. I've worked for DC and Dark Horse.
That and the fact that I knew that nobody was going to publish my work at Dark Horse or DC or anywhere.
'Forever Evil' is my love letter to DC super villains. It's my chance to take all of the villains I've worked with and all the ones I've never worked with and put them into one gigantic, epic story that will bring together the bads of the DC Universe.
When I interview somebody, I look at their resume to see what they've done, who they've worked with, and how many times. If they've gotten repeat work. Those are the kinds of actors I want to hire.
What makes a good editor is staying the hell out of the way as much as possible. ... If you're a DC or Marvel or Dark Horse or BOOM! editor who's assigning work, then if you did your job properly to begin with, then the people you've hired can be trusted to do what they do without excessive meddling. The ideal situation you're shooting for as an editor is to groom a collaborative creative team to the point where their work sails effortlessly through production and the most you have to do is fix the spelling and the commas.
My money's riding on this dark horse, baby My heart is sayin' it's the lucky one And its true color's gonna shine through someday If we let this Let this dark horse run
How the horse dominated the mind of the early races especially of the Mediterranean! You were a lord if you had a horse. Far back, far back in our dark soul the horse prances...The horse, the horse! The symbol of surging potency and power of movement, of action in man!
When I got out of college I worked for DC comics. I worked on staff there and I also freelanced for them for about a decade. I spent two years on staff as an editor right out of college. I'm from Los Angeles and I came back here after a couple of years in New York, to go to Graduate School at USC. I wasn't thinking specifically about animation although while I'd worked at DC.
The horse is a gift to us, to humanity. And for that, there comes responsibility. If the horse is gonna work for you and work with you, then the best thing I can do for the horse is to make it as good a life possible.
I'm very lucky that I'm not a photographer for hire - people hire me for me. I go into every commercial work with an art focus, with that lens; every brand I've worked for just lets me do whatever I want to do. I have full creative freedom.
I'm quite happy with the body of work that I've done, and I've done some really good work over the years that I'm proud of. I'm proud of some of the people that I've worked with, been lucky to have worked with.
I really like 'Roar' and 'Dark Horse.' 'Dark Horse' I really like, and I feel I would sing that in the bathroom; I would buy that album, and I think Katy Perry's amazing!
I've had the luxury of working on a lot of our great brands here at Warner Brothers, including a lot of the DC ones. I've also worked on a lot of great brands that were not DC.
Barack Obama today is directing every federal agency to make sure we evaluate candidates on the level without regard to their employment history. So if you are a rotten employee, if you don't show up on time, if you don't get any work done, that cannot be examined as whether or not it makes sense to hire you. What we're gonna do is make sure that we only hire people who have been out of work the longest, because that's fair, regardless their work history, regardless whether they're qualified, this is Obama making it equal.
I did this the hard way. I have worked my entire life in this business, and I've done the work - from being on the selling floor to learning to speak Italian to work with manufacturers with John Bartlett. I've done it all. I've paid my dues.
Dark Horse was my second time working with Todd Solondz. I love him truly, very much. And I don't think he'd ever worked with an actor a second time. It was groundbreaking.
If a government commission had worked on the horse, you would have the first horse that could operate its knee joint in both directions. The trouble is it couldn't have stood up.
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