A Quote by Rob Zombie

I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
I think that's coming just like anything else. I don't think that it's just going to be 3-D. I think that 2-D is going to be around forever. I think that we'll go back and forth.
Leading up to a live event you need to do your homework and go to bed early. Sometimes it's very tempting to go out with everybody else, They're all going to a party or going out for a nice meal and you think 'oh well I'd like to go', but sometimes you think 'no, if I'm going to be sitting in front of a camera under a light in everybody's home tomorrow I don't want big bags under my eyes and not really know what I'm talking about'.
As a sensitive filmmaker, I think you have to really be careful in how you explore it. Not that you can't tell any story you want - I'm not calling for censorship or anything. But if you're going to have violence, I think it's important to deal with the consequences of that on a human level, not just to make people laugh.
Everybody thinks the Government should be doing more about everything but just think how many of the bonuses which are quite rightly being dragged off certain people, just think to what good causes they could be put - wouldn't that be a lovely thought'?
I think everyone has dreams, and it's just how you go about pursuing that. And I think anybody can do anything that they set their mind to. So if you set your mind to do something, and you exhaust every opportunity, I think you're going to get there.
I think everyone has dreams, and its just how you go about pursuing that. And I think anybody can do anything that they set their mind to. So if you set your mind to do something, and you exhaust every opportunity, I think youre going to get there.
Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?
I think we'd all like to believe that after we shuffle off this mortal coil, that there's going to be something on the other side because for most of us, I know for me, life is so rich, so colorful and sensual and full of good things, things to read, things to eat, things to watch, places to go, new experiences, that I don't want to think that you just go to darkness.
If you watch a guy go out on court and have a meltdown, you're not going to think, 'Oh my God, now I'm screwed.' Or you're not going to think, 'The umpire's going to give him calls because he's just told him he's an idiot or the pits of the world.'
I think the other side of that is embracing the claustrophobia, and that's what a huge piece of this show is, just watching people go through having to be stuck in that. I think the audience is going to feel some of that. It might not be comfortable, but it's really cool to just be experiencing that along with the characters that you're watching.
I don't believe terror and horror are just vicarious pleasures. I think it routes itself in your mind. It can affect your mind. Look at what's going on in the America today. The violence is just awful and I think a lot of has to do with what they are showing on the movies and television.
I think for most actors, because we sort of have to tell ourselves this, we always say, 'Oh, it doesn't mean anything to win an Oscar!' It certainly isn't a goal that you want to set yourself up for, because then you're just setting yourself up for disaster. Because how many people actually win an Oscar?
I'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
I grew up watching horror films from a very young age. My sister was never able to watch scary movies; I don't think she'll ever watch mine because she's just so bad at it. Its funny because I'm the complete opposite: I love to be scared. I love to have that fear before you go to bed, and you're like, 'Oh my God, please, nothing come out.'
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
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