A Quote by Rob Zombie
I'm not extremely political. I think everything should be layed out and you can make your own conclusions. As soon as I feel I'm being taught something or preached something, I just glaze over it and I don't want to hear it.
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Lyrics are what I tend to tear hair out over and they're where I tend to feel weak musically, if I'm being very honest. It is not something I feel like I know anything about; I would not consider myself a writer. I just want to sing, I just want to sing a melody, I just want to feel a melody, and be part of the song, and everything else is not so important.
When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
The main thing in making your own music is that it's an expression of someone's personality and being. That's what people want to hear, and you can't really teach that - that's just something that comes out. Teaching just hones that.
When anyone calls you out for something you have done in your life and you're just on a journey to be authentic, to live in your own skin better, man, it makes you feel extremely special. I think that any time you're making huge steps in your life - I always say I need lots of hugs to feel special.
When I go in the studio, I put myself into a place where I'm feeling something I want to portray, which is often being sad, lonely. But as soon as I'm starting to make something, it's when I'm the happiest. Ever. I think that comes out at the same time, so there's that juxtaposition.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
If you walk by something that I've done and you like it then I don't think I did what I was supposed to do. It should hit, it should either make you feel uncomfortable, or it should make you feel great, as long as it makes you feel something.
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
When you're at a public pool or in your friend's backyard, knowing that your kids can get in and out of the water and protect themselves can make all the difference in the world. Something as simple as being able to flip over and get to the ladder can save a life. You can start your kids in lessons as early as you want - it's never too soon.
There are some disturbing messages in the Koran, there were declarations of war against non-believers, there's a declaration that Islam should be triumphant over other religions, the problem is this is not just in the book, but preached throughout the Islamic world that are preached, we in the West hear about that.
Terror. When you come home and notice everything you own has been taken away and replaced by an exact substitute. It’s when the lights go out and you feel something behind you-you hear it-you feel its breath against your ear, but when you turn around there’s nothing there.
This is the problem with the way you educate your children. You don't want your young ones drawing their own conclusions. You want them to come to the same conclusions that you came to. Thus you doom them to repeat the mistakes to which your own conclusions led you.
When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
Let's get with it, guys: You don't need to hear a Ministry song to get political. You should be political on your own. We're just a side project to society. So do I care what people think about me personally? No. I just do what I do.
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