A Quote by Rob Zombie
It was like fighting with the MPAA... to me it was like this is an R easy... but it was NC 17 over and over and even with this cut they were like, you are right on the edge buddy, one more thing and it's NC-17.
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With the first 'Hatchet,' I had an epic battle with the ratings board. They kept giving the movie an NC-17. There is absolutely no way that movie should have gotten an NC-17. All the gore in it is so ridiculous and over-the-top that you can't take it seriously.
I don't think an NC-17 rating is the kiss of death. Nor do I think that, in the hands of the right filmmakers, studios have a preconceived notion to pass on NC-17 material.
I have no problems with the NC-17 rating. I want more NC-17 films. More adult cinema!
As a parent myself, I can appreciate the MPAA and what they're supposed to do, but what happens with NC-17 is that the MPAA is basically taking away the rights of parents. They're basically telling me that I can't show my kids this movie if I decide they can see it.
Lita on the other hand, she's rated NC-17, which means No Cold sores in 17 days.
NC-17 means that you get it in like 3 theaters. They won't run the spots on MTV, won't run the advertising. It's the kiss of death so there was really no other choice.
Art exhibitions would be less censored if they were rated, G or NC-17, like movies. People in general see galleries and museums as family-appropriate excursions. Censorship is a provided system which caters to lazy parenting, which is publicly-funded and socially accepted.
What a lot of people don't understand about the NC-17, which I didn't understand, is that you can't show it in major theater chains - and you can't even air spots for your film on television. It really stigmatizes the movie.
It's funny that you can murder someone horribly and graphically and disturbingly in a horror film, and it's not an NC-17, but if you put a naked man on screen, everyone freaks out.
I was born in Rocky Mount, NC. The town of 24,000 proved a great place to spend the first 17 years of life. But, after that, onward, outward.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
You have to think of a new way to completely surprise people who think they're hip. I always said you could make an NC-17 movie with no sex and no violence. Now I don't know what that could possibly be, but if you could think it up, you'd have a hit.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
I like how in little league they have nine kids who play the field but we have 17 kids on the roster and all 17 kids should hit. I like that we do that down here in Florida.
One thing I savor about what I do is the relationships that I've earned over the years. Becky Herbst and I have been working together for 17 years. I've seen how everything has evolved over the years, and I've seen all three of her kids being born. Because it's personal, I would have to say I'd like to see him with Elizabeth.
I wasn't a perfect thing at 17. I didn't have confidence. I was hunched over and real embarrassed, and I didn't want to be in the limelight. But it changed over time.
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