A Quote by Rob Zombie
Josh Brolin is an actor that I really, really like; he's fantastic. I worked with him once; he's a really great actor.
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He [Kenneth Branagh] is the nicest guy. He is absolutely fantastic. Hes really down to earth, really friendly, and he has a great sense of humor. I really liked working with him. Hes a fantastic actor as well. Theres such a presence about him.
Garry Shandling was an actor's actor. He really cares about the performance. It was really interesting to watch him talk about motives and motivation and stuff. He really knows the craft.
Hugh Jackman really inspired me as a kid. He's a cool Aussie guy who works very hard, and he's a fantastic actor. Obviously, he keeps really fit. He seems like he's happy acting. Who knows if he really is, but he gives you that impression.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
Josh Brolin is fascinating to watch because he is just so effortless. It's like watching a really gifted athlete run, and I just didn't have that.
I think the first British actor who really worked well in cinema was Albert Finney. He was a back-street Marlon Brando. He brought a great wittiness and power to the screen. The best actor we've had.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
The first time I met Harrison, I think, was at the very first read through of the script. As anyone would be, I was a bit nervous before meeting him. I mean, it's Han Solo, so it was quite crazy. But once you get to know him, he really is such an amazing person. He's such an amazing actor as well. As I said before, his presence really does get the best out of you as an actor.
Actor is an odd profession, and sometimes people get jealous, but I haven't really experienced any of that. Everyone's been really happy for me, which is really, really great.
I thought for a minute about an actor and a musician simultaneously, but I think that's always very loaded as an actor when you become a "slash," and you do an actor "slash" anything. You better be really, really good at it.
I wasn't a class clown, I never developed this comedic flair as a kid. Even when I decided to become an actor, it was just to be an actor, not necessarily a comedic actor. I wasn't that guy who struck out with women so he became really funny, and that's when the women started to like him.
I actually really like Christopher Walken. I find him a really interesting actor. He's such a character that I love everything he's in.
I don't want to infantilize the actor; I want to empower the actor. Actors can be many things, but all of the really good ones are really great storytellers, and I'm interested in that. If you're not interested in that as a director then you better be Stanley Kurbrick.
I learned a great lesson early on, even before I was really an actor, from that movie 'Planes, Trains & Automobiles' that John Hughes made: that you could make a movie that's really, really, really, really funny, and sometimes you can still achieve... making the audience feel very deep emotions as well.
Someone once told me: 'Luck is when opportunity meets preparation'. And that's what I really feel with my music. I've worked really, really hard on it. It was like, 'this is really what I want to do.. what do I have to do to make it work?'
Bob Duvall is a great actor because each time out, he creates a whole, complete character. You have the feeling that you're not seeing an actor at all, but a fully realized human being. Think of how he was in The Godfather. If you didn't know Bobby, you'd think that he really was Tom, the consigliere. Then you see him in Santini, and he's completely different. He's not only a personality, he's a consummate actor.
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