A Quote by Robbie Coltrane
If you've got a huge Hollywood star in your film, they're getting $32 million, and everyone else gets their bus fare.
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Directing your first film is like showing up to the field trip in seventh grade, getting on the bus, and making an announcement, 'So today I'm driving the bus.' And everybody's like, 'What?' And you're like, 'I'm gonna drive the bus.' And they're like, 'But you don't know how to drive the bus.'
As the stars make more and more money - one person gets $12 million, $14 million, $15 million, $20 million - everyone else is expected to work for peanuts. And that includes some extraordinary actors who are, today, working for peanuts because the production companies have decided they don't need to pay these people, and they don't.
A femtosecond is comparable to one second in 32 million years. It is like watching a 32-million-year movie to see one second.
In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.
The movie industry has collapsed into two types of film - the $100 million blockbuster or the small independent film of $1 million or less - and the huge middle ground has been lost. Cable is filling that void.
Everyone in Hollywood wanted a role in this movie. Everyone wanted to have a part in it. I feel so lucky that I got one, but what I find so cool about 'Hunger Games' is that the real star is the story itself.
I'm like everyone else, on the stage it's good. Not too much fun in the hotel or the airplane or the bus, but you got to do it.
My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.
I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.
We're still missing about a dozen vaccines that will make a huge difference. For adults, we've got HIV and TB are still huge; for kids malaria is still killing a half million kids a year out of that 6 million. We probably need some vaccines, but we need a little more data to make sure we're getting the vaccines that will save the most lives.
I refused to be filmed getting off a bus twice. The director said, 'I'm an award-winning director. Please do it', and I said, 'I never thought I'd say this, but I'm an award-winning actress with a bad leg, and if your film depends on seeing me get in and out of a bus, we're in trouble.'
Our perception of celebrities in Hollywood is not the reality. The reality of our lives is so much like everyone else's life. We have family members we love, everyone gets up in the morning, they have three meals a day and they go about their business.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
We recognize that there have been acts in the past that are Asian or Korean who tried to go, 'Hey, I'm a huge star in Korea, I'm a huge star in Asia so you guys need to respect me for being a huge star there.' But I don't know. As much as we may be big, we have to be very humble and start from the ground up in the States.
They said, "You get $2 million to make the film, if you're not in it. If you are in it, you get $5 million to make the film." There was no way to make the thing for $2 million, so I made it for $5 million. And then, it turned out there was no way to make the thing for $5 million. That's when it got weird.
The only thing more intimidating than a huge international film star is your mother-in-law.
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