A Quote by Robbie Robertson
When people get together that come from different musical backgrounds, a lot of times there's is a good ... it's very enjoyable to say somebody, let me turn you on to some things, and the other person does the same thing. And they play you stuff that maybe you weren't that familiar with and likewise.
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One thing that I don't like about us as a people is that, when we don't have the same view as somebody, a lot of times we bash that person. We say negative things about that person. We all can co-exist with different beliefs. That's the beauty of it. That's why we all have personalities and are individuals. But a lot of people don't see it that way. They feel they have to bash somebody because of what they believe in or what they want to do.
Acting is a job you can learn a lot in. You get to play lots of different characters with different professions and different backgrounds; they come from different places than you do, so it's really fun when you're immersing yourself in that world of that person to learn about how other people's lives are.
I know that some people have different personas for the different things they do, and I'm not criticizing that - maybe it's a good thing - but I'm the same old person, so I take everything in stride.
I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
Hip-hop and electronic music are so similar, in the fact that they're both very visceral, have so much bass; a lot of times, it's the same tempos. The culture and some of the sound design is different but a lot of times, it's the same stuff.
Some people like the same thing forever, but I don't know. We kind of, like, listen to loads of different stuff, and our attention spans aren't good enough. So there was a bit of frustration when you're, like, having to play the same thing all the time because we play all, like, loads of different instruments.
A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.
I was on the train the other day, and I heard somebody say, I'm really good at checkers. That's the same thing as saying, I'm not good at very many things.
I got a reputation for being 'eclectic' or some damn thing like that, but to me, the different kinds of music I play are all the same stuff - good time music - and it is the only stuff I can do.
For me, you go to university to meet lots of different people from different backgrounds. I think that's one of the most important things you get there. And you also get some sense of direction regarding what you want to do when you leave. I sort of know what I want to do in my life - I want to act and ultimately I'd like to write. And in terms of meeting people from different backgrounds, that's what you get on a film set. So the two most valuable things that university would have given me I've sort of achieved by being on a film set.
People ask me a lot, 'what can one person do,' and I say 'I'm not really sure what one person can due except come together with other people.'
There's really a shortage of good freelance writers. ... There are a lot of talented people who are very erratic, so either they don't turn it in or they turn it in and it's rotten; it's amazing. Somebody who's even maybe not all that terrific but who is dependable, who will turn in a publishable piece more or less on time, can really do very well.
I think that these are different times, and different things are available to artists, and certain things have become passé. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.
In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
A lot of times when songwriters get together and write a song... somebody will come in with a hook and a lot of times they come out with something that sounds a little crafty.
Everything is being synced up, and it's harder to see where the skill starts and the technology starts and ends. Maybe that's a good thing; it's more enjoyable for the listeners, more enjoyable for the party, if you don't need to worry about things falling off. So maybe we can concentrate on other aspects of the art form.
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