A Quote by Robbie Robertson
Most of my younger Native American friends are not in any way looking for sympathy, and they're not looking to lay guilt on anybody. They have their dignity, and they do what they do.
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I think that if in your heart, you are seeking out a real puzzle, and you're not looking to frighten anybody, you're not looking to upset anybody, and you're looking to discuss a subject that you yourself went through when you were nine - you just don't remember the difficulties of one's own childhood.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
My identity was tangled up in the parts that I had played since I was a child. I would go through my closet and only see audition clothes: Brie looking older, Brie looking '60s, Brie looking '40s, Brie looking younger in the future.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
In my experience, people looking for progress aren't actually looking to move things forward. They're looking to be perceived in a certain way: as a forward thinker. It's about vanity rather than any altruistic motives for the art.
I'm not part of the friends-and-family club; I'm not part of the pay-to-play club; I'm not looking to get re-elected. I'm not looking to go to another office and fill my campaign coffers. I don't need any friends in Albany except the people of the state.
I have some advantages of viewing from the two lenses, the two perspectives. I think that a lot of visual artists who come back here from the United States and are Cambodian also write from their American references - looking inside the old culture, and looking at themselves as an American looking into the country where they were born.
If you're going to choose your friends, you better choose them well, because when you look at your friends, you're looking at a mirror reflection. You're looking at you; you are looking at you.
I have friends who were friends of mine before I did music and they are my friends now, and we share life experiences. It's no fun unless you're sharing with people, looking out for them as they are looking out for you.
I'm always looking for something. Not in an unhappy way. I just like to try different things. I don't want to be morbid, but I'm not getting any younger.
Fun drunks make a nice addition to any party. Not looking to fight. Not looking to score. Just looking to get drunk and laugh.
Looking, Walking, Being, I look and look. Looking's a way of being: one becomes, sometimes, a pair of eyes walking. Walking wherever looking takes one. The eyes dig and burrow into the world. They touch, fanfare, howl, madrigal, clamor. World and the past of it, not only visible present, solid and shadow that looks at one looking. And language? Rhythms of echo and interruption? That's a way of breathing. breathing to sustain looking, walking and looking, through the world, in it.
I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'
Looking the way I look, whenever anybody's looking for a light brown funny guy, I get the call... I'm 100 percent Greek, but I look like I could be Indian or Middle Eastern or Hispanic. If it's ethnic, they'll try and put me in it.
Obviously, we shouldn't be having any American officeholder or any American candidate looking for foreign nations to come in and be involved in U.S. elections.
In my work, we're not looking at an icon, we're not looking at a sign, we're not looking at a representation. We're looking at something. I do have this feeling of trust that people can read it for themselves.
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