A Quote by Robbie Robertson

I really have to feel a sense of freedom in my storytelling. — © Robbie Robertson
I really have to feel a sense of freedom in my storytelling.
I feel like with a lot of Madlib's beats, they are made for storytelling. I feel like when I'm working on stuff with him, I can really get into the storytelling aspect mode of my flow.
There are five freedoms: The freedom to see and hear what is; The freedom to say what you feel and think; The freedom to feel what you actually feel; The freedom to ask for what you want; The freedom to take risks on your own behalf.
By walking naked you gain far more than coolness. You feel an unexpected sense of freedom from restraint. An uplifting and almost delirious sense of simplicity. In this new simplicity you soon find that you have become, in a new and surer sense, and integral part of the simple, complex world you are walking through. And then you are really walking.
One of the strongest signs of being in the zone is a sense of freedom and of authenticity. When we are doing something that we love and are naturally good at, we are much more likely to feel centered in our true sense of self - to be who we feel we truly are. When we are in our Element, we feel we are doing what we are meant to be doing and being who we're meant to be.
The true bodhisattva spirit grows out of this personal sense of freedom. You discover that you don't feel so needy anymore. You don't crave another refueling - with shamatha or with other people's love and attention - because you know within yourself how to be free, how to be confident. With this sense of security and freedom, you begin to direct your attention to the needs of others. The compassion expands.
I loved the idea of dramatic art of storytelling as a way to make sense of things. It's really what I love and what I care about.
The fundamental sense of freedom is freedom from chains, from imprisonment, from enslavement by others. The rest is extension of this sense, or else metaphor.
European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films
European films were what it was about for me - the sensations I needed, the depth, the storytelling, the characters, the directors, and the freedom that you can't really find in American films.
I think China's view of freedom has to do with material wealth and modernity, and the Dalai's Lama view of freedom is liberation in the Buddhist sense, which is freedom from ignorance and freedom from suffering.
In terms of filming, yes, it really does feel over now. There's a real sense of freedom now. It's a good time to finish, I think. As much as I'm going to miss it I'm ready to move on and do different things.
Storytelling is powerful; film particularly. We can know a lot of things intellectually, but humans really live on storytelling. Primarily with ourselves; we're all stories of our own narrative.
If you've got the chance to really speak your mind and do what you feel and express yourself how you want, then this is freedom. Drag is freedom.
Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.
I love storytelling. If you strip all the bits away, what you'll find at the center is a storyteller. As I warm to my career and love it more, I have a sense that storytelling is healing, in many ways. You can reach an audience and heal, and by heal, I mean entertain and provoke. It's a wonderful life.
Directing action scenes is really just pure visual storytelling that just makes sense to me pretty intuitively.
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