A Quote by Robby Benson
All things take time. A lot of my films still run on cable and are in video stores, and there's a whole generation that doesn't know who I am. So, it's a dichotomy. In some people's minds I may never grow up.
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Now there's a whole generation of filmmakers who grew up making their own films with video cameras, and have dined entirely on a diet of popular culture. It's been reflected in a lot of their work. It's self-reflective, it's quite knowing, but it's very literate.
Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.
A lot of people who start work at a very young age never grow up because they never got that opportunity to be a child, so they hold on to that and still do a lot of childish, silly things.
I've never been one to say I know exactly that we're in the last days, but there's some things happening these days, both good and bad, that make me wonder if we may be heading into the final generation. One of the good things that's happening is that little by little we're taking the gospel to the whole world. But at the same time there is this resistance.
I never worked on different films at the same time. I made one by one. I never made two or three films together. This is impossible! I only have one head. It is impossible for me to think about two films at the same time. There are a lot of these legends about me, and I don't know why. I'm not a legendary man. But the people all the time say I make three films at the same time, and it's not true. Don't believe these kinds of things.
I think most of the time with independent films, you don't know where it's gonna end up. I've done a number of films that may never see the light of day, so it ends up being exclusively about the content, material, the characters and the story. Things that you maybe wouldn't get an opportunity to do otherwise. So, as an actor, obviously it's so different.
Or maybe a person is just made up of a lot of peopleMaybe we’re accumulating these new selves all the time. Hauling them in as we make choices, good and bad, as we screw up, step up, lose our minds, find our minds, fall apart, fall in love, as we grieve, grow, retreat from the world, dive into the world, as we make things, as we break things.
I usually take up short films when I am not tied up with feature films. Short films are easier to work on... because it doesn't take much of your time. The number of shoot days are lesser as compared to feature films.
You know, some people say that Cannes is the worst place in the world to see cinema. It's a paradox. They have the new films , lots of interesting films premiering there for the first time. At the same time it's such a mess and a confusion. You have to run from one screening to another.
In people's minds, I'm a comic, so it took a lot of time before I was recognized as a director. I had to be patient until the public accepted me. As a result, my early films didn't get a lot of attention. As a serious film actor, things didn't take off, either. Only my comic talents were recognized.
Country music has its way of getting into the minds and hearts of people. I will say - you never know how long it's gonna take something to grow, you never know if you're gonna hit in a certain market.
Radio Shack is meeting the fate of many other stores that were wildly popular in the twentieth century, including record stores, comic book stores, bookstores and video stores.
Love can never grow old. Looks may lose their brown and gold. Cheeks may fade and hollow grow. But the hearts that love will know, never winter's frost and chill, summer's warmth is in them still.
Every video you see in the movie we have an entire video of it that will be on the DVD, so the whole video for African Child, the whole video for Super Tight, you know the Jackie Q songs.
There's a huge dichotomy between people who grow up with alienation, which, for me, was invaluable, and people who grow up so completely privileged that it breeds this complacency and lack of desire to question or challenge or do anything significant. Those are the types of people who become partners at the corporate law firms.
Much has been written about Generation X and the films about it. Clerks is so utterly authentic that its heroes have never heard of their generation. When they think of "X," it's on the way to the video store.
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