A Quote by Robby Krieger
All the songs on the first album were like skeletons of how we really played them. It was just a combination of not having any studio experience and having to do everything so fast. I also think that studios are, by nature, limiting. You cannot get the sound of five big amplifiers on a little piece of tape.
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I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.
I've always dreamed of having an album. The problem is that it's just very difficult to make an album nowadays because through technology, music shifts so fast, especially electronic music. Once you make five songs, the first one you did is already old and you wished you would have put it out right away. So that's kind of the difficult part.
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
My favorite over the years is probably 'All I Have to Give.' That's probably my favorite. It's one of the first songs that the five of us were featured on the lead, and I just think it has such a great sonic sound with all the melodies and harmonies. It has a little bit of a mixture of R&B and a pop sound. It's just a really good feel-good song.
Obviously yeah, but our first album took us five years to put together, to get signed and to put it out, we had a lot of time to think about what we were doing. Black Sunday was like a whirl wind, we had to rush back to the studio after touring, but the last album we had a little longer, what like eight months?
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
I honestly don't know how you live without having a cat inside your house. It's like having a little living piece of art that is also very warm and soft.
I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that.
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
I think those walks to the studio were the most enjoyable times for me, because I could get lost in my head and think about what I wanted the album to sound like as I was writing. For the most part, it was great to have all that time alone writing the songs.
I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.
I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.
I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.
My mom played the recorder. But not having electricity, we had minimal exposure to music. As I got a little older, we had Walkmans and things that were battery-powered, but it would have been nice to be growing up in the iPod era. A tape only has six songs on a side.
I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.
There is no experience like having children.’ That’s all. There is no substitute for it. You cannot do it with a friend. You cannot do it with a lover. If you want the experience of having complete responsibility for another human being, and to learn how to love and bond in the deepest way, then you should have children.
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