A Quote by Robby Krieger
We made some mistakes. We had some managers we didn't like and had to get rid of, and that cost some money. Stuff like that. But overall, we did really well.
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I had had some successes in the '90s, always made money, but the truth was I was like a man pushing a boulder up a hill. A huge, heavy, difficult boulder made up of some career mistakes, projects that didn't meet expectations, and twenty years of being a known quantity.
My first couple of years in the league left me very unstable. I had some times where I played well, and I had some times were I really did not get the opportunity. After Rick Pitino gave up on me my first year, people were like, 'He can't play.' So I had to get over that hump.
I had done some stuff on camera, then I did some film dubbing when I lived in Europe. When I came back, I'd considered doing on-camera work again, but I didn't really like it.
They had battled and bloodied one another, they had kept secrets, broken hearts, lied, betrayed, exiled, they had walked away, said goodbye and sworn it was forever, and somehow, every time, they had mended, they had forgiven, they had survived. Some mistakes could never be fixed - some, but not all. Some people can't be driven away, no matter how hard you try. Some friendships won't break.
When Silence of the Lambs did well commercially it was more than anything. My partner Ed Saxon and I were just so relieved that finally we had made a movie that had made some money!
I haven't been walking around for years with some burning desire to do a solo record. If I had, maybe I'd have made a record that was experimental. Usually, the idea of a solo record is to get some weird stuff out of your system, but I don't think like that. I wasn't interested in making something that was a hard listen - maybe I'll get around to that some other time. I wanted it to sound effortless, not like I was trying to reinvent the wheel.
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
I read some of my stories recently and thought, 'How in the hell did I get away with that?' I had some really raw cynicism in some of them.
Every country gets fired up to play us. They played well. I thought when it was 2-1 that we had some chances to make it 3, 4-1. He made some saves and we just missed some shots. They got a break on their second, and the third period I thought we had a lot of chances, he made some big saves. We got it done in the shootout.
I had some problems in the past when I made some stupid mistakes and got some stupid cards, but I learned a lot from this, and I know now how to calm myself down.
I behaved poorly by starting this whole thing and I made some mistakes in dealing with it, and they made some mistakes in dealing with me, and taking down all my stuff was probably one of them.
I made some mistakes, but I wasn’t a coward. I lived my life and did what I had to do.
Some thoughts went through my head about recording some stuff that had influenced me earlier in my career like blues and early rock. But it didn't seem to really make sense at that point - it might have been taken the wrong way. A lot of people already had been into that trip.
It is what it is. I balled out, had some good years, man, had fun and did it with some guys and made relationships that will never end.
I was shooting on The Mindy Project while I was editing Alex of Venice, which was the stupidest thing I could've done. It was like having two full-time jobs. But in editing some characters were dropped, some storylines were dropped. It just starts dictating what it's supposed to be.It's scary, but fun to try to be brave and to "kill your darlings." To get rid of the stuff that you were like, "Oh, I'll never get rid of that. I love that. As long of a take as it is, I'm gonna keep that in."
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
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