A Quote by Robert A. Heinlein
Delusions are often functional. A mother's opinions about her children's beauty, intelligence, goodness, et cetera ad nauseam, keep her from drowning them at birth.
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The Saints are the elect children of the spouse of Christ, the precious fruit of her body; they are her crown of glory. And when these dear children quit her to reap their eternal reward, the mother retains precious memorials of them and holds up their example to her other children to encourage them to follow their glorious traces.
I know also another man who married a widow with several children; and when one of the girls had grown into her teens he insisted on marrying her also, having first by some means won her affections. The mother, however, was much opposed to this marriage, and finally gave up her husband entirely to her daughter; and to this very day the daughter bears children to her stepfather, living as wife in the same house with her mother!
Egypt.mother of civilization, dreaming herself through the centuries. Dreaming us all, her children: those who stay and work for her and complain of her, and those who leave and yearn for her and blame her with bitterness for driving them away.
There is no one perfect way to be a good mother... Each mother has different challenges, different skills and abilities, and certainly different children... What matters is that a mother loves her children deeply and, in keeping with the devotion she has for God and her husband, prioritizes them above all else.
My mother's feeling about men in general were always a bit of a mystery to me. She had difficulties in Puerto Rico with the men in her life. Her brothers abused her. It's very easy to be judgmental, but more often than not, there are mitigating circumstances, and children are not usually aware of those.
Sometimes we adopt certain beliefs when we're children and use them automatically when we become adults, without ever checking them out against reality. This brings to mind the story of the woman who always cut off the end of the turkey when she put it in the oven. Her daughter asked her why, and her mother responded, "I don't know. My mother always did it." Then she went and asked her mother, who said, "I don't know. My mother always did it." The she went and asked her grandmother, who said, "The oven wasn't big enough."
The artist and the mother are vehicles, not originators. They don't create the new life, they only bear it. This is why birth is such a humbling experience. The new mom weeps in awe at the little miracle in her arms. She knows it came out of her but not from her, through her but not of her.
Beauty does not lie in the face. It lies in the harmony between a person and his or her industry. Beauty is expression. When I paint a mother I try to render her beautiful by the mere look she gives her child.
[On her mother:] My relationship with her is close, painful, and skaky, and I always have to keep searching for a sign of love. Everything I do, I do to please her, to make her smile, to ward off her fury. This work is extremely exhausting.
I understood somehow my mother's frustration. And that it was no good not only for her, but for her children or her husband, that she didn't have a real use of her ability.
Once, I compared poetry to mothers in my book called To Write as a Woman, because my mother is someone who captures me in her body and gave birth to me out of her desire but washed her hands of me after giving birth to me as a poet.
One day I'll give birth to a tiny baby girl and when she's born she'll scream and I'll tell her to never stop I will kiss her before I lay her down at night and will tell her a story so she knows how it is and how it must be for her to survive I'll tell her to set things on fire and keep them burning I'll teach her that fire will not consume her that she must use it
She, too, spoke only when the queen or king addressed her first, but she looked searchingly at every supplicant, and her clear face said that she had opinions about everything she heard, and that it was her proud duty to think out those opinions, and make them responsible and coherent.
I felt differently about her [Gypsy Rose Lee] during every phase of the research and writing process. Often, I felt incredibly sorry for her; she had an extremely difficult childhood and a complicated 'to say the least' relationship with her family, her mother especially.
If he took her into his arms, he would keep her. He wouldn't let her suffer the way the other mortals had when he'd left them. He would keep her, with his court's permission or without it. Irial wouldn't take her, and Keenan wouldn't stand between them.
My mother's love has always been a sustaining force for our family, and one of my greatest joys is seeing her integrity, her compassion, her intelligence reflected in my daughters.
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