A Quote by Robert A. Heinlein

The killer looked up as the bullet hit him. He looked as if he were puzzled by some strange occurence, being too freshly dead to be aware of it. — © Robert A. Heinlein
The killer looked up as the bullet hit him. He looked as if he were puzzled by some strange occurence, being too freshly dead to be aware of it.
I looked up to find a slim blond figure standing in the doorway to the kitchen. For a frozen second, I looked at him and he looked at me, and then I screamed and threw my coffee, which hit him square in the groin.
Matt looked up kids from his high school class. Only three were listed as dead, but a bunch were listed as missing/presumed dead. As a test, he looked us up, but none of our names were on any of the lists. And that's how we know we're alive this Memorial Day.
I want to give up being a bullet I've been a bullet too long The question is Can you give up being a killer?
I don't like being too looked up at or too looked down on. I prefer meeting in the middle to being worshiped or spat out.
I don't like being too looked up at or too looked down on. I prefer meeting in the middle to being worshipped or spat out.
At the great iron gate of the churchyard he stopped and looked in. He looked up at the high tower spectrally resisting the wind, and he looked round at the white tombstones, like enough to the dead in their winding-sheets, and he counted the nine tolls of the clock-bell.
The light, the sky, the water, they were all things you looked *through* during the day. At night, they were things you looked *into*. You looked *into* the stars, you looked *into* dark rollers and the surprising platinum flash of their caps.
I look at Large Professor as a big influence. I grew up with him and being able to grow up with him enabled me to meet Nas, Busta, Q-Tip and all these people I looked up to at the time. Even Large himself. He was a good friend but at the same time he was definitely someone I looked up to.
When I was around Bowie, I was nearing the bottom. When we were touring together, I looked at him as a kind of big-brother figure and I also looked at him as somebody I had a lot of respect for. The age and the period he's at in his life, I'd like to be there some day. He has a kind of content peace about him that's something to shoot for.
In my childhood everything you heard, you could imagine what it looked like. Even singers that I would hear on the radio, I couldn't see what they looked like, so I imagined what they looked like. What they were wearing. What their movements were. Gene Vincent? When I first pictured him, he was a tall, lanky blond-haired guy.
Growing up, I had a terrible pudding-bowl haircut. I used to cut it myself, and I'd sew my own clothing, too. I looked a little strange compared to the other kids. But the thing was, I felt I looked amazing, so what other people thought never bothered me.
I challenged Coleman and he accepted, he said he'd fight me. I pointed at Baroni and challenged him too, he looked at me with a bewildered look on his face and asked: "Me?", I said "Thats right, You!!" I also challenged Quinton Jackson and he looked at me and said "Me too?", and I responded. If you want some, there is some for you too!
What are the conditions of the creative attitude, of seeing and responding, of being aware and being sensitive to what one is aware of? First of all it requires the capacity to be puzzled. Children still have the capacity to be puzzled.
My friends' parents who were in the Marines, they were the people I looked up to the most. I looked up to them as role models.
It's Will," she said. "He's being absolutely ridiculous in the dining room." Charlotte looked puzzled. "How is this different from him being totally ridiculous in the library or the weapons room or any of the other places he's usually ridiculous?
I looked at some of the statues of Jesus; they were just stones with no life. When they said that God is three, I was puzzled even more but could not argue. I believed it, simply because I had to have respect for the faith of my parents.
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