A Quote by Robert A. Heinlein
When I don’t understand, I have an unbearable itch to know why.
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A burning itch to know is higher than a solemn vow to pursue truth. To feel the burning itch of curiosity requires both that you be ignorant, and that you desire to relinquish your ignorance.
I'm honest enough to say I don't know everything. You know, I don't. I don't understand all of God. I don't understand, you know, some kind of why bad things happen.
I don't understand why I do what I do. I don't understand why I act anymore. But I do know that I love it, and that I find it really interesting and satisfying to enter into other worlds and explore different ways of thinking.
The urge to write poetry is like having an itch. When the itch becomes annoying enough, you scratch it.
I am a competitor and always have that itch until the day I die, but I won't let the itch supersede being a businessman.
Itch to read, scratch to understand.
When I get home and people ask me,'Hey, Hoot, why do you do it, man? What are you? Some kind of war junkie? I won't say a goddamn word. Why? They won't understand. They won't understand why we do it. They won't understand that it's about the men next to you. And that's it. That's all it is.
My job is to show them clearly what they are doing, and what they are doing wrong on the pitch. To help them know why and understand why, even if you prepare and understand the plan, why you are doing always the same mistakes.
Everyone wants to understand art. Why don't we try to understand the song of a bird? Why do we love the night, the flowers, everything around us, without trying to understand them? But in the case of a painting, people think they have to understand.
My words itch at your ears till you understand them
I don't understand why some things are talked about and others are not. I don't know why I think I can make any kind of difference. All I know is that I want to.
We don't understand what photography is doing. We don't understand the power of its rhetoric. We don't understand why the Provoke photographers showed Tokyo city as a ghastly and alien city when it was really going through this period of mega-capitalist growth. It's a very, very, very powerful force, the photograph. People ask me why it has such an ability to captivate us. And I just don't know.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
So the desire you have, that itch that you have to be whatever it is you want to be ... that itch, that desire for good is God’s proof to you sent already to indicate that it’s yours. You already have it. Claim it.
My problems are sort of more on a nuisance level. I can't stand scratchy clothes, I've got to have soft kinds of cotton against my skin, and I don't know why some 100% cotton t-shirts itch and others don't; it has something to do with the weave.
I didn't choose to be white, I didn't choose to be male, I didn't choose to be heterosexual, I didn't choose to be right-handed. Those are the givens of life. And I don't know why the church can't deal with that, why they can't understand that. Well, I do know why: because people are always afraid of anybody who's different.
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