A Quote by Robert A. Heinlein
Nothing could go wrong because nothing had...I meant "nothing would." No - Then I quit trying to phrase it, realizing that if time travel ever became widespread, English grammar was going to have to add a whole new set of tenses to describe reflexive situations - conjugations that would make the French literary tenses and the Latin historical tenses look simple.
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Hebrew has a system of tenses, which is, in a big way, different from the English system of tenses, probably different than any European system of tenses, which means a different sense of reality, which means a different concept of time.
There are certain concepts, which exist in English, and are unthinkable, untranslatable into Hebrew and vice versa. Hebrew has a system of tenses, which is, in a big way, different from the English system of tenses, probably different than any European system of tenses, which means a different sense of reality, which means a different concept of time. So, things can be translated, but they become different.
These tenses-past, present and future-are not the tenses of time; they are tenses of the mind. That which is no longer before the mind becomes the past. That which is before the mind is the present. And that which is going to be before the mind is the future. Past is that which is no longer before you. Future is that which is not yet before you. And present is that which is before you and is slipping out of your sight. Soon it will be past.
I loved Latin -- the grammar, the difficult tenses, the history -- but for some reason I was very bad at it, shamefully and blushingly bad at it. ... In moments of stress the embarrassment of how bad I was at Latin -- a subject I loved -- really hit me. It was like being laughed at by someone you desperately loved.
In 1850, August Salzmann photographed, near Jerusalem, the road to Beith-Lehem (as it was spelled at the time): nothing but stony ground, olive trees; but three tenses dizzy my consciousness: my present, the time of Jesus, and that of the photographer, all this under the instance of 'reality' - and no longer through the elaborations of the text, whether fictional or poetic, which itself is never credible down to the root.
I don't really do simple. I'm not really interested in simple at the end of the day, because nothing's ever simple, and nothing's ever perfect. People certainly aren't - I would hope, anyway, because that would be boring, wouldn't it?
What do you mean less than nothing? I don't think there is any such thing as less than nothing. Nothing is absolutely the limit of nothingness. It's the lowest you can go. It's the end of the line. How can something be less than nothing? If there were something that was less than nothing, then nothing would not be nothing, it would be something - even though it's just a very little bit of something. But if nothing is nothing, then nothing has nothing that is less than it is.
I did not want to think so much about her. I wanted to take her as an unexpected, delightful gift, that had come and would go again — nothing more. I meant not to give room to the thought that it could ever be more. I knew too well that all love has the desire for eternity and that therein lies its eternal torment. Nothing lasts. Nothing.
There is no past or future. Using tenses to divide time is like making chalk marks on water.
If I was gay, there’d be no closet. You’d never see the closet I came out of. Why? I would have burned it for kindling by the time I was twelve! Because I know, with all certainty in my mind, there’s nothing wrong with being gay and you know it! And there’s nothing wrong with being into chicks if you’re a girl. And there’s nothing wrong with being into all of it…. How awesome would it be to be bisexual? To just walk into a room and go ‘MMMM, ALRIGHT!!!!’
Won't you stay We'll put on the day And we'll talk in present tenses
I've always been fascinated by maps and cartography. A map tells you where you've been, where you are, and where you're going -- in a sense it's three tenses in one.
There's nothing wrong with being respected by your peers. There's nothing wrong with trying to do your best. There's nothing wrong with success. There's not even anything wrong with trying to get a raise. There's nothing wrong with that.
When I start a new novel, I often write 'test chapters' in different tenses and from different points of view in order to figure out which is best to tell the tale.
There's nothing you can do that can't be done Nothing you can sing that can't be sung. Nothing you can say but you can learn how to play the game. It's easy. Nothing you can make that can't be made. No one you can save that can't be saved. Nothing you can do but you can learn how to be you in time. It's easy. Nothing you can know that isn't known. Nothing you can see that isn't shown. Nowhere you can be that isn't where you're meant to be. It's easy.
The pain, so unexpected and undeserved, had for some reason cleared away the cobwebs. I realized I didn’t hate the cabinet door, I hated my life… My house, my family, my backyard, my power mower. Nothing would ever change; nothing new could ever be expected. It had to end, and it did. Now in the dark world where I dwell, ugly things, and surprising things, and sometimes little wondrous things, spill out in me constantly, and I can count on nothing.
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