A Quote by Robert A. M. Stern
To be an architect is to possess an individual voice speaking a generally understood language of form.
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The modern architect is, generally speaking, art's greatest enemy.
When you speak a foreign language, you become someone else. If you aren't used to speaking a language, and you start speaking it again, for the first few sentences you'll find yourself in very strange shape, because you're still the person who was speaking the first language. But if you keep speaking that language, you will become the person who corresponds to it.
I definitely have moments in my life where I discovered a film, and the language of the film itself spoke to me in a way, as if someone came up to you and started speaking a language you'd never heard but understood and was able to express things the language you knew could not.
Here the term 'language-game' is meant to bring into prominence the fact that the speaking of language is part of an activity, of a form of life.
A language presupposes that all the individual users possess the organs.
Generally speaking, individual performances don't win basketball games
Whether that's speaking up in your job or asking for a promotion or saying, 'I think I can do that.' Using your voice in ways that might initially scare you. That can be being an architect of change.
To possess another language, Charlemagne tells us, is to possess another soul. German is such a language. Once you have it in your head, you can go there anytime, you can close the door, you have a refuge.
The right of ordinary citizens to possess weapons is the most extraordinary, most controversial, and least understood of those liberties secured by Englishmen and bequeathed to their American colonists. It lies at the very heart of the relationship between the individual and his fellows, and between the individual and his government.
It must be understood that prime matter, and form as well, is neither generated nor corrupted, because every generation is from something to something. Now that from which generation proceeds is matter, and that to which it proceeds is form. So that, if matter or form were generated, there would be a matter for matter and a form for form, endlessly. Whence, there is generation only of the composite, properly speaking.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images — as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
Generally speaking, among sensible persons, it would seem that a rich man deems that friend a sincere one who does not want to borrow his money; while, among the less favored with fortune's gifts, the sincere friend is generally esteemed to be the individual who is ready to lend it.
He’s speaking in the tone of voice that everyone uses when they’re about to break you apart. Gentle—kind, even—like they can make the news sound better just by speaking in a lullaby voice.
If I'm very drunk, I can improvise. But generally speaking, no. Generally speaking, almost all of my work is material that was first done on the printed page. And the shorter ones that you might call poems, I had a stretch from '79, '80, for five or six years, where I wrote a lot of poetry as such. Simply because I was asked to.
The language of judicial decision is mainly the language of logic. And the logical method and form flatter that longing for certainty and for repose which is in every human mind. But certainty generally is illusion, and repose is not the destiny of man.
In speaking of the Energy of the field, however, I wish to be understood literally. All energy is the same as mechanical energy, whether it exists in the form of motion or in that of elasticity, or in any other form. The energy in electromagnetic phenomena is mechanical energy.
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