A Quote by Robert A. M. Stern

Communities of tract houses, plopped on a grid, represent a way of throwing historical forms around like bouillabaisse. — © Robert A. M. Stern
Communities of tract houses, plopped on a grid, represent a way of throwing historical forms around like bouillabaisse.
The California tract houses are like the mundane meeting the mystical. Sometimes if you're driving at twilight, and you see those houses, and they're starting to light up, there's something so beautiful, so ethereal about the fact that they're all pretty similar, set against this desert landscape and the light just hitting them a certain way.
It was clear to me that the forms of consciousness of our inherited and acquired historical education - aesthetic consciousness and historical consciousness - presented alienated forms of our true historical being.
Don't be governed by the grid, govern the grid. A grid is like a lion cage - if the trainer stays too long it gets eaten up. You have to know when to leave the cage - you have to know when to leave the grid.
Violence of all forms is wreaking havoc in communities across the country, disproportionately impacting communities of color and shaving half a million years of life off our collective lifespan. But it doesn't have to be this way.
Everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
My mother converted when I was 16. She was the driving force behind religion in our family. So, I'm sure I was heavily influenced by that. But, I also was, and still am, convinced by the Catholic churches historical claims to represent the continuity with the early Church that other forms of Western Christianity lack.
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
If the ongoing struggles waged by young people are to matter, demonstrations and protests must give way to more sustainable organizations that develop alternative communities, autonomous forms of worker control, collective forms of health care, models of direct democracy and emancipatory modes of education.
Energy consumption has to be managed by an intelligent grid when it comes to highly populated areas. Smart-grid technologies allow for the integration of renewable energy into the grid as well as energy from distributed sources.
This Bouillabaisse a noble dish is - A sort of soup or broth, or brew, Or hotchpotch of all sorts of fishes, That Greenwich never could outdo; Green herbs, red peppers, mussels, saffron, Soles, onions, garlic, roach, and dace; All these you eat at Terre's tavern, In that one dish of Bouillabaisse.
Architecture is art. I don't think you should say that too much, but it is art. I mean, architecture is many, many things. Architecture is science, is technology, is geography, is typography, is anthropology, is sociology, is art, is history. You know all this comes together. Architecture is a kind of bouillabaisse, an incredible bouillabaisse. And, by the way, architecture is also a very polluted art in the sense that it's polluted by life, and by the complexity of things.
There are a lot of questions about whether architecture is art. The people who ask that think pretty tract houses are architecture. But that doesn't hold up.
Bouillabaisse, this golden soup, this incomparable golden soup which embodies and concentrates all the aromas of our shores and which permeates, like an ecstasy, the stomachs of astonished gastronomes. Bouillabaisse is one of those classic dishes whose glory has encircled the world, and the miracle consists of this: there are as many bouillabaisses as there are good chefs or cordon bleus. Each brings to his own version his special touch.
I find great satisfaction in the rigorous structure of the grid, but I like the organic on the grid so that there's a combination of structure and chaos.
Latino actors and actresses have had to struggle for decades, but when I came around with Real Women Have Curves, attitudes were starting to change. We screened the film all over the world - in Jewish communities, black communities, Greek communities, German communities - and people across the board said, "That's my family."
In the same way that I've no desire to live in earlier historical periods, I never touch historical recipes. Most historical cooking is detestable.
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