A Quote by Robert Adams

The history of art is filled with people who did not live long enough to enjoy a sympathetic public, and their misery argues that criticism should try to speed justice. — © Robert Adams
The history of art is filled with people who did not live long enough to enjoy a sympathetic public, and their misery argues that criticism should try to speed justice.
I'm one of the most adaptable guys I know in as much as travelling is my favourite thing to do in life. With every place I go, I try to stay there long enough to do it justice, long enough so that I can at least imagine what it would be like to live there. Once I imagine that, then it's OK for me to return home.
I lived long enough in a society where freedom of speech was nonexistent, and I know what kind of misery that creates - starting with the fact that life becomes very boring for people who just try to survive, and are quiet, and try not to buck the system. And, of course, it can be devastating for people who try to speak against it.
Public figures will get public criticism, and they should be tolerant enough to take it.
Marriage is going to disappear, should disappear. And now the point is coming in the history of humanity where it becomes possible that marriage can disappear. It is already an outmoded phenomenon, it has lived too long and it has created nothing but misery. Marriage should disappear and love should flower again. One should live with insecurity and freedom. That I call intelligence.
When I said that the court should be willing to suffer even intemperate criticism, I did not mean that people should level intemperate criticism. What I said is even if criticism is intemperate or unfair and bordering on scurrilous and abusive, it will be understood for what it is by the people.
A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.
I've been around long enough to know that a good deal of the praise heaped on me I had nothing to do with. The only thing I did object to was the fact that where the criticism was actually wrong. Did it bother me? Of course it bothered me. But I've been around long enough to have ups and downs. So you get over it.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
The history of art is not just the history of artists; it is also the history of the people who viewed art. And that wider perspective can help us see some of the reasons why the art of the ancient world should still matter to us.
Now art should never try to be popular. The public should try to make itself artistic.
Art should never try to be popular. The public should try to make itself artistic.
Misery is the stuff of comedy, if one can just live long enough to get over it.
I try to have things change before I get bored, and I figure other people might enjoy that too; I try not to let anything repeat for long enough that you can get used to it.
The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.
On a certain level, we don't try enough cases. We should try more cases before juries and let jurors decide. On grand juries, my position is the grand jury should be eliminated, but there are creative ways a lawyer can use a grand jury if they have a client with a sympathetic cause who has been wronged by the police.
Perhaps art criticism cannot be reformed in a logical sense because it was never well-formed in the first place. Art criticism has long been a mongrel among academic pursuits, borrowing whatever it needed from other fields.
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