A Quote by Robert Andrews Millikan
We have been forced to admit for the first time in history not only the possibility of the fact of the growth and decay of the elements of matter. With radium and with uranium we do not see anything but the decay. And yet, somewhere, somehow, it is almost certain that these elements must be continuously forming. They are probably being put together now in the laboratory of the stars. ... Can we ever learn to control the process. Why not? Only research can tell.
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The magic possibility of framing a certain space and time is what brought me to photography. This process of recording elements of 3 dimensions in the flow of time, and fixing them in a 2 dimensional image, creates a new context for the elements of the photograph.
To our senses, the elements are four and have ever been, and will ever be for they are the elements of life, of poetry, and of perception, the four Great Ones, the Four Roots, the First Four of Fire and the Wet, Earth and the wide Air of the World. To find the other many elements, you must go to the laboratory and hunt them down. But the four we have always with us, they are our world. Or rather, they have us with them.
What is it that you contain? The dead. Time. Light patterns of millennia opening in your gut. Every minute, in each of you, a few million potassium atoms succumb to radioactive decay. The energy that powers these tiny atomic events has been locked inside potassium atoms ever since a star-sized bomb exploded nothing into being. Potassium, like uranium and radium, is a long-lived radioactive nuclear waste of the supernova bang that accounts for you. Your first parent was a star.
Thus the radio elements formed strange and cruel families in which each member was created by spontaneous transformation of the mother substance: radium was a "descendant" of uranium, polonium a descendant of radium.
The body is subject to the law of growth and decay, what grows must of necessity decay.
On the geometric level, we see certain physical elements repeated endlessly, combined in an almost endless variety of combinations. It is puzzling to realize that the elements, which seem like elementary building blocks, keep varying, and are different every time that they occur. If the elements are different every time that they occur, evidently then, it cannot be the elements themselves which are repeating in a building or town; these so-called elements cannot be the ultimate "atomic" constituents of space.
There's always a certain concern whenever you go and shoot a field piece: that maybe all the elements won't come together, knowing that you have limited time to tell a story, hoping that you get all the elements you need, hoping the subjects are comfortable.
It must not be supposed that the subjective elements are any less 'real' than the objective elements; they are only less important... because they do not point to anything beyond ourselves.
The only time you ever have in which to learn anything or see anything or feel anything, or express any feeling or emotion, or respond to an event, or grow, or heal, is this moment, because this is the only moment any of us ever gets. You're only here now; you're only alive in this moment.
You couldn't be here if stars hadn't exploded, because the elements - the carbon, nitrogen, oxygen, iron, all the things that matter for evolution - weren't created at the beginning of time. They were created in the nuclear furnaces of stars, and the only way they could get into your body is if the stars were kind enough to explode. So, forget Jesus. The stars died so that you could be here today.
People presume we've been somehow monitoring the entire sky at all frequencies, all the time, but we haven't yet been able to do any of those things. The fact is, all the SETI efforts to date have only closely examined a couple thousand nearby stars, and we're only just now learning which of those might have promising planets.
The universe starts off with the Big Bang theory, and the first thing that emerged from the Big Bang is essentially hydrogen and then helium. And that's what combusts in stars. Finally, stars implode, and they build heavier elements out of that. And those heavier elements are reconstituted in the heart of other stars, eventually.
Not only is natural burial by far the most ecologically sound way to perish, it doubles down on the fear of fragmentation and loss of control. Making the choice to be naturally buried says, 'Not only am I aware that I'm a helpless, fragmented mass of organic matter, I celebrate it. Vive la decay!'
The future of nations cannot be frozen . . . cannot be foreseen. If we are going to accomplish anything in our time we must approach our problem in the knowledge that there is nothing rigid or immutable in human affairs. History is a story of growth, decay and change. If no provision, no allowance is made for change by peaceful means, it will come anyway - and with violence.
The helium which we handle must have been put together at some time and some place. We do not argue with the critic who urges that the stars are not hot enough for this process; we tell him to go and find a hotter place.
The ensouled is distinguished from the unsouled by its being alive. Now since being alive is spoken of in many ways, even if only one of these is present, we say that the thing is alive, if, for instance, there is intellect or perception or spatial movement and rest or indeed movement connected with nourishment and growth and decay. It is for this reason that all the plants are also held to be alive . . .
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