A Quote by Robert Anton Wilson
Guerrilla ontology The basic technique of all my books . Ontology is the study of being; the guerrilla approach is to so mix the elements of each book that the reader must decide on each page 'How much of this is real and how much is a put-on?
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The Western World has been brainwashed by Aristotle for the last 2,500 years. The unconscious, not quite articulate, belief of most Occidentals is that there is one map which adequately
represents reality. By sheer good luck, every Occidental thinks he or she has the map that fits. Guerrilla ontology, to me, involves shaking up that certainty.
On the other hand, I still approach each book with the same basic plan in mind - to put some people under severe stress and see how they hold up.
How they loved each other, these three, how they had suffered for each another, and yet how much joy they clearly took from simply being in the same room.
It's not who you are, who you are friends, and how popular they are, it's just about how much you get out of each friendship and how much you learn from each one that really counts.
Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.
I don't care how much you know, how many books you read, how you much you study and, you know, how educated you are, you're still going to struggle. Life is challenging.
Why does the guerrilla fighter fight? We must come to the inevitable conclusion that the guerrilla fighter is a social reformer, that he takes up arms responding to the angry protest of the people against their oppressors, and that he fights in order to change the social system that keeps all his unarmed brothers in ignominy and misery.
I love working with Erica [Durance]. She's so much fun. And I love how flippant, comfortable, and casual the relationship is. There is so much humor there, and they make each other laugh. It is obvious how much they adore each other. I really like that.
The communication within Sinsaenum is really, really cool. As extreme as the music is, you might not realize how much we respect each other and how much we coach each other and how well we communicate.
At the close of life the question will be not how much have you got, but how much have you given; not how much have you won, but how much have you done; not how much have you saved, but how much have you sacrificed; how much have you loved and served, not how much were you honored.
I feel lucky that I read so many books as a kid because I know that no matter how much I appreciate a book now, and I can love a book very much, it's never going to be that childhood passion for a book. There's some element, something special about the way they're reading books and experiencing books that's finite.
It's much more liberating as a artist to feel like you can approach each page and each panel with the way that inspires you the most. I think the thing that bogs down a lot of artists is that you're kind of stuck drawing in a style you've developed.
I had been a guerrilla leader in World War II. And I used to say that the way to fight the guerrilla was with guerrillas. And I disbelieved that you could by bombing, ah, have any effect on the supplies coming down through the Ho Chi Minh trails.
We must revisit the idea that science is a methodology and not an ontology.
Oftentimes I deliberately put ambiguity into my books so that... the reader is left with an echo of: 'How much of this was from me?'
Much of what Karl Popper contributed to the philosophy of science has now passed into mainstream thought, into the currency of that nebulous, tricky ontology known as 'common sense.'
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