A Quote by Robert Aris Willmott
Whatever is pure is also simple. It does not keep the eye on itself. The observer forgets the window in the landscape it displays. A fine style gives the view of fancy--its figures, its trees, or its palaces,--without a spot.
Related Quotes
When you look at a beautiful view from a window, the beautiful view also looks at you from the same window! But the window looks at both you and the view! Wise man is the window itself; he looks at everywhere!
The science window gives you a view of the world, and the religion window gives you a totally different view. You can't look at both of them at the same time, but they're both true.
Math is like water. It has a lot of difficult theories, of course, but its basic logic is very simple. Just as water flows from high to low over the shortest possible distance, figures can only flow in one direction. You just have to keep your eye on them for the route to reveal itself. That’s all it takes. You don’t have to do a thing. Just concentrate your attention and keep your eyes open, and the figures make everything clear to you. In this whole, wide world, the only thing that treats me so kindly is math.
The detached observer's view is one window on the world.
It's a fine balance between design and the thing making itself happen. The stroke has to have complete precision to work. Sometimes I lose it on the exit. You can't fudge it. It ruins the whole thing.” The resulting figures are almost always contained within the rectangle. “It's less of a window if I keep it within the confines of the canvas, but there's almost always a drip that's an umbilical cord.
The apparent world, the one which is perceived, with its figures, its brightness, its colors, is a psychical product, a creation of the observer. The figures seen on the vault of heaven are neither the celestial bodies, nor the true clouds or the falling stars, but are only effigies which the observer's psyche has created and localized how and where it can.
There are two different ways of looking at the universe; and it's the same universe with two different windows. The science window gives you a view of the world, and the religion window gives you a totally different view. You can't look at both of them at the same time, but they're both true.
Sky and clouds and trees and little figures relaxing in the perfect rural rhythm of their surroundings: these are the staples of a Gainsborough landscape.
There is always something to be grateful for. Pure love has no conditions or boundaries. Love does not restrain itself or hold back. Love gives all the time and doesn't ask for anything in return. Love is a continuous flow without any limits. And all of this is inside you.
Discovery should come as an adventure rather than as the result of a logical process of thought. Sharp, prolonged thinking is necessary that we may keep on the chosen road but it does not itself necessarily lead to discovery. The investigator must be ready and on the spot when the light comes from whatever direction.
To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes-countrysides and figures, movements and gestures-how could he have a style, that is originality?
So for instance it becomes clear why space and time and even the properties of matter itself depend on the observer in consciousness. In fact when you take this point of view it even explains why the laws of the universe themselves are fine tuned for the existence of life.
Whatever is placed beyond the reach of sense and knowledge, whatever is imperfectly discerned, the fancy pieces out at its leisure; and all but the present moment, but the present spot, passion claims for its own, and brooding over it with wings outspread, stamps it with an image of itself. Passion is lord of infinite space, and distant objects please because they border on its confines and are moulded by its touch.
In a simple and a peaceful cottage with a beautiful view, you will not be dreaming about the palaces or the heaven, because you already have a perfect thing!
There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.
A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
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