A Quote by Robert Atkins

I didn't realise I was going to be fighting the whole world. — © Robert Atkins
I didn't realise I was going to be fighting the whole world.
You've got the oil companies fighting Pope Francis. Fighting the scientists of the world. Fighting the governor of California. They are engaged in literally a life-and-death struggle, and I have no doubt who is going to be the victor.
You start going to games when you're younger but you think it's the norm that every football club in the world has that many fans, but as you get older you realise they don't! And you realise just how big a club Newcastle is.
We Argentines do not realise what Leo represents for the whole world.
It really is the relationship you have with your self that presents the key to the “kingdom”, so to speak... Fighting is good, but not when it is fighting yourself. Changing the world is good but first one has to start inside and concurrently make that place right. The strife and the ugliness in the world is the outward manifestation of this troubled relationship we have within on a whole.
Every fight, I'm fighting blind opponents. I don't know who it's going to be, who I'm fighting, if I'm really fighting them.
I find that creative streak I think often leads in programmers to be good predictors of where culture as a whole is going to go. And that is where I think I've tried over the years to in some ways use my customers as a filter or a predictor of where technology as a whole is going to go. Or where the world as a whole is going to go.
What are we Democrats fighting for? We are not fighting for salvation and going to heaven. But we are fighting for Medicaid, Medicare, health care, education, jobs, helping old folks.
I think women need to stop fighting women. But not just fighting each other, fighting ourselves. I honestly think self-love is so powerful that it could stop war. If we were to embed that within ourselves and help other people to love themselves as well, this whole world could change. I truly believe that.
In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.
I also have that desire to blurt stuff out, but I've learned I can't do that. Not when you realise the whole world is listening. That's why perhaps I look so uncomfortable in interviews at times.
Once you come to America, you're fighting top fighters. They're not going to let you get away with the guys you're fighting in England: you're going to have to fight constant monsters.
I created a character whose motives were pure and good and she was going to go out and save the whole world. But the truth is, you can't save the whole world, but you can save one. And that was the whole thrust of the novel - to save just one.
I've spent my whole life fighting for free-market principles and the Constitution. That's not going to change.
We are in the final stages of egoic madness. Almost the whole world is fighting each other.
To revolutionaries the significant reality is the world which they are fighting to bring about, not the world they are fighting to overcome.
When the writing is going really well, whole days and weeks go by, and I suddenly realise I have all these unpaid bills and, my God, I haven't unpacked, and the suitcase has been sitting there for three weeks.
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