A Quote by Robert B. Parker
Send it to someone who can publish it. And if they won't publish it, send it to someone else who can publish it! And keep sending it! Of course, if no one will publish it, at that point you might want to think about doing something other than writing.
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If you want to write, write it. That's the first rule. And send it in, and send it in to someone who can publish it or get it published. Don't send it to me. Don't show it to your spouse, or your significant other, or your parents, or somebody. They're not going to publish it.
There's a marvelous peace in not publishing, there's a stillness. When you publish, the world thinks you owe something. If you don't publish, they don't know what you're doing. You can keep it for yourself.
For a while I never show anybody what I'm writing, and during that time I need the feeling that publishing is only an option. I might publish this, I might not. I think if I had to publish it, I might panic.
WikiLeaks does not publish from the jurisdiction of Ecuador, from this embassy or in the territory of Ecuador; we publish from France, we publish from, from Germany, we publish from The Netherlands and from a number of other countries, so that the attempted squeeze on WikiLeaks is through my refugee status; and this is, this is really intolerable. [It means] that [they] are trying to get at a publishing organisation; [they] try and prevent it from publishing true information that is of intense interest to the American people and others about an election.
In matters of truth the fact that you don't want to publish something is, nine times out of ten, a proof that you ought to publish it.
But it's clear to me that us slow-poke writers are a dying breed. It's amazing how thoroughly my young writing students have internalized the new machine rhythm, the rush many of my young writers are in to publish. The majority don't want to sit on a book for four, five years. The majority don't want to listen to the silence inside and outside for their artistic imprimatur. The majority want to publish fast, publish now.
For me the question that you have to ask, about any magazine, is whether it's needed, whether it's publishing things that no one else could publish, or publish equally well. So there's that.
It took a while for anyone to want to publish 'To Repel Ghosts.' I thought people would want to publish a three-hundred-and-fifty-page book about a dead painter, but they didn't.
I learned from Linus Pauling it's not a disgrace in science to publish something that's wrong. What's bad is to publish something that's not very interesting.
It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.
Let's say that, personally, I loved Hillary Clinton. Would WikiLeaks still publish this material? Of course it would. Otherwise, we would be censoring it. That's our mandate. It's actually interesting to think about what media organizations wouldn't publish such material if it was given to them.
You want to publish with a publisher because a publisher knows how to publish a book. And you don't. You really don't.
The Internet destroyed most of the barriers to publication. The cost of being a publisher dropped to almost zero with two interesting immediate results: anybody can publish, and more importantly, you can publish whatever you want.
What someone doesn't want you to publish is journalism; all else is publicity.
So the aim for the press was a mixture of things: to publish under-represented writing, which is an intersection of original language, style, content, and often its author's gender. To publish it properly, in a way that makes it clear that this is art, not anthropology. To spotlight the importance of translation in making cultures less dully homogenous.
Some books and authors are best sellers, but most aren't. It may be easier to self-publish than it is to traditionally publish, but in all honesty, it's harder to be a best seller self-publishing than it is with a house.
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