A Quote by Robert B. Weide

If you listen to Howard Stern, go back and listen to Lenny Bruce, so you can hear what real talent is. — © Robert B. Weide
If you listen to Howard Stern, go back and listen to Lenny Bruce, so you can hear what real talent is.
If you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? Carpe diem, seize the day boys, make your lives extraordinary.
I love to listen to Howard Stern with the guy who drives me.
I'll talk to Howard Stern about anything. I listen to him every day. I love him. When you go on his show, you kind of have to be an open book.
Any comic like myself owes everything he has to Lenny Bruce. He was the originator. The godfather of uncensored American stand-up is clearly Lenny Bruce.
I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.
I listen a lot to Howard Stern. Not the show, the interviews. He has a separate podcast of just interviews. They're fantastic.
We'll go back and listen to some 70's music. Just everything. I guess the main thing is that we listen to creative guys, male or female either one. Just people that have got great talent and we're able to say, 'man, that is unbelievable.
listen to me as one listens to the rain, the years go by, the moments return, do you hear the footsteps in the next room? not here, not there: you hear them in another time that is now, listen to the footsteps of time, inventor of places with no weight, nowhere, listen to the rain running over the terrace, the night is now more night in the grove, lightning has nestled among the leaves, a restless garden adrift-go in, your shadow covers this page.
People talk, 'Oh your father's a misogynist, look what he said about women,' like, on 'Howard Stern.' When he gets with Howard Stern, who's a friend of his, he'll joke around, because it's a comedy show. He's allowed to have a personality.
Agree to these ground rules: Be curious, conversational and real. Don't persuade or interrupt. Listen, listen, listen.
Any time I'm trying to find that groove on a big tempo song, I go back and listen to some Aerosmith records. 'Love in an Elevator,' 'Rag Doll,' all that stuff was really great music. It's something that I still dig and go back and listen to.
What I hear all the time is to stop and listen. When you do a scene 30 times, and know the lines, you stop listening. The point is to listen, that's the only thing that can make it real.
As I look back I know that most of the mistakes I have made have come when I didn't listen to myself, when I didn't trust my instincts... I believe you need to listen, carefully, to hear your inner voice. And then, you have to do what it says.
I tend not to listen. When I'm listening to records, I don't listen to much new wave stuff, I tend to listen to the stuff I used to listen to a few years back but sort of odd singles.
I'm making music for other people to listen to for pleasure. And hopefully, later on maybe they'll listen to it and go, "That bass line, boy, did you hear the way those drums interacted with that?"
You should listen to songs and listen to what works. Listen to why a song is a hit. Check it out-not to imitate it, but there are certain things that work-hooks and melodies. Hear what works through the ages.
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