A Quote by Robert B. Weide
My paid gigs allow me to pay for my documentaries, like a drug habit, I suppose. If I'm lucky enough to be working steady, however, it leaves little time for the documentary hobby.
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This is every creative person's dream - a hobby that I'm lucky enough to get paid for.
I retired once but you've got to have something to retire to and I don't want to do anything. My job is like a well paid hobby, I mean not a hobby but I'm not lining up every morning at the bus queue to go to work. I'm very lucky.
I'm a huge fan of the Ken Burns documentary style, big time. I love documentaries full stop. I'm a big documentary fan. That's my reality. I don't like reality TV. I like it like that.
The main reason why I'm a documentary filmmaker is the power of the medium. The most powerful films I've seen have been documentaries. Of course, there are some narrative films that I could never forget, but there are more documentaries that have had that impact on me.
I was lucky enough to have an older brother who shared the splatter flicks with me, and I had parents who were cool and involved enough in my life to allow me to see them. I think my folks appreciated that I looked at these movies as a creative outlet... almost like magic shows, if you will.
It was drilled into me from an early age that nothing is certain and that you have to be incredibly careful and sensible with money. However, if you are lucky enough to have a little bit spare, you should also try to enjoy it.
I've been encouraging documentary filmmakers to use more and more humor, and they're loath to do that because they think if it's a documentary it has to be deadly serious - it has to be like medicine that you're supposed to take. And I think it's what keeps the mass audience from going to documentaries.
Some people would call me a workaholic. I don't consider this time: I just love my work so much, so it's my real hobby, OK? And, yeah, getting some play during working hours for which you are paid is the best job I can recommend for anyone around!
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
If an addict who has been completely cured starts smoking again he no longer experiences the discomfort of his first addiction. There exists, therefore, outside alkaloids and habit, a sense for opium, an intangible habit which lives on, despite the recasting of the organism. The dead drug leaves a ghost behind. At certain hours it haunts the house.
I suppose fear is like a drug. A little bit isn't that bad, but you can get addicted to the consumption and distribution of it.
I've hit a point where my big luxury is getting to work on the things I want to work on. That's my hobby. It's being able to do a movie like 'Chef,' where you don't get paid, where you get paid scale, but you get to do exactly the movie you want to do. To me, that's worth more to me than whatever money I would have gotten paid.
Reality television hasn't killed documentaries, because there are so many great documentaries still being made, but it certainly has changed the landscape. There is this breed of gimmicky documentary that is basically a reality show.
Drew Callahan is my absolute weakness. Like a drug I can't get enough of. He's my addiction and if I'm honest with myself, I'm not looking to kick that particular habit anytime soon.
At college, I felt frustrated thinking three years was a long time and I just wanted a job but afterwards I was in employment the whole time. I got into a theatre company and started doing stand-up gigs for cash, so I lived hand-to-mouth, but there was always enough to pay the bills.
Desperation is the secret to my steady employment. I am not interested in downtime. I really like to keep working all the time and I always feel like I'm in the mail room of life; working up.
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