A Quote by Robert B. Weide

Somehow I got a hold of an address for Vonnegut shortly after making the Marx Brothers film. Vonnegut wrote back, saying that he had seen the Marx brothers film and loved it. That became the foundation of our friendship: old movies and comedies.
My parents loved comedies, so we saw Buster Keaton, Charlie Chaplin, the Ritz Brothers, and the Marx Brothers. I wanted to be one of them.
I saw 'A Night at the Opera,' this Marx Brothers film, when I was, like, six years old. I just became obsessed, you know?
My parents used to do these little film festivals in our house where we'd watch all the Marx Brothers movies, or Chaplin movies, and a lot of westerns.
I was a fan of the Marx Brothers. One of them had this character where he pretended not to be able to talk, but then he wrote this autobiography called 'Harpo Speaks!' He wrote about how he quit school at nine years old to become a professional.
My Dad hated his job. He sold overcoats, but he wanted to make movies. He had a failed career working with the Ritz Brothers - they were like the Marx Brothers, only a tier below. I always had a picture in my mind of him in a straw hat.
I grew up and I was weaned on the Marx Brothers. They were sort of my all-time favorite. My parents showed me their movies when I was very young. And as I got older, I became a Charlie Chaplin fan, and I love Buster Keaton.
I've got to say, I've probably seen a lot more of the Three Stooges than of the Marx Brothers.
What really got my goat at MGM were comedians like The Marx Brothers who never wrote their own jokes.
I'd always heard stories about how Harpo Marx was the most talkative of the Marx brothers. I found it interesting that someone you never got to hear speak in films would never not speak in real life.
When I was a little kid I loved the Marx brothers and discovered Monty Python when I was 10 or 11-years-old. I used to take a tape recorder and hold it up in front of the TV to record entire episodes to play over and over again, so that I could memorise it.
I've always loved the Marx brothers and Charlie Chaplin.
I always find it actually funny that the analysis is that the characters I play in comedies are the manchild, the adolescent, characters that refuse to grow up. And yet, if you look back in the history of comedy all the way back to the Marx brothers, that's a big part of comedy.
Growing up, I loved drama and fantasies. I hated the Marx Brothers. I took all that confusion seriously.
A crackpot theory. Instead of saying labor's exploited, as Marx did, Kelso says capital's exploited. It's worse than Marx. It's Marx stood on its head.
I think we grew up thinking that the funniest things on TV were the old, serious movies. I always liked the Marx Brothers, but the thing that always made us laugh were movies like Zero Hour. That's what inspired us.
I loved 'SNL' growing up, and I would trick my babysitter into letting me stay up to watch it. My family would rent Marx brothers' movies and Monty Python episodes, and we watched 'In Living Color', 'The State', and 'Strangers with Candy'.
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