A Quote by Robert Ballard

You can only inspire when you give people a new way of looking at the world in which they live. — © Robert Ballard
You can only inspire when you give people a new way of looking at the world in which they live.
All I ever wanted to do was music, and all I've ever asked, as I've gotten to know and discover the world more, is that God would use me in any way to encourage and inspire love and inspire people to bring and give love to each other.
I think that the scienti?c way of looking at the world, and the humanistic way of looking at the world are complementary. There are important differences which should be preserved, and in trying to do away with those differences we would lose something the same way as if we tried to make all religions one religion or all races one race. There is a cultural diversity that's very valuable, and it's valuable to have different ways of looking at the world.
Looking, Walking, Being, I look and look. Looking's a way of being: one becomes, sometimes, a pair of eyes walking. Walking wherever looking takes one. The eyes dig and burrow into the world. They touch, fanfare, howl, madrigal, clamor. World and the past of it, not only visible present, solid and shadow that looks at one looking. And language? Rhythms of echo and interruption? That's a way of breathing. breathing to sustain looking, walking and looking, through the world, in it.
I do think that people have an obligation to give back but that doesn't necessarily mean that you give back just the traditional way. Maybe there's new ways to give back and make a contribution. I'm looking forward to some mix of philanthropy - maybe through a somewhat different prism - as well as helping entrepreneurs build some significant new businesses.
The aim of the historian, like that of the artist, is to enlarge our picture of the world, to give us a new way of looking at things.
When you live a certain way for so long, that's the only way people can see you. I don't necessarily mean that's who you is or you can't change, but it's a stigma that they put on you when you're from a place where I'm from. That's one way of looking at 'Trapped.'
The only reason to keep talking about history is if you are juxtaposing it with the world that we live in today, if you are learning something about our world by looking at the way they shaped their world.
You can inspire people to give you greatness, or you can micro-manage them into your own one specific kernel of an idea. To me, I think that when you inspire people to give their best, then you're going to get the best result.
My biggest aspiration is to inspire people to do good. I believe that our wish for a harmonious world begins and ends with doing good. To inspire and empower people to focus on goodness, I wrote a new book called 'Activate Your Goodness: Transforming the World through Doing Good.'
Redemption in Christ should give the artistically gifted not only a new orientation and a new sense of purpose, but also a new vision of reality, seeing the world through the eyes of faith, looking at the human condition through the eyes of Christ.
We love to think this fundamentalism and terrorism is all about poverty, and, of course, it has a connection. You can see that these people not only are poor but they have no outlets. These governments allow no opposition. So what do people do? They go to Islam. It's the only organizational institution where they can express their feelings. But it's not about poverty. I've never seen a single demonstration in which the people have come out with signs saying, "Please give us better roads. Please give us new prenatal clinics. Please give us a new sewage system."
Never give up! Keep practicing - it's the only way to get better. But don't lose sight of the outside world. As an artist, you have to connect with the world around you, or you've got nothing to inspire you. Learn from everything and everyone, good or bad. It's just as important to learn what not to do, as well as what to do, in art, in life.
The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything which is already finished, already made, already existing in the world - it is a symbol of a new world, which is being built upon and which exists by way of people.
What I've come to realize is that emotional intelligence, which I define as buoyancy, was the only way I knew how to lead, and is, in my option, the only way to inspire real change.
Ninety-eight percent are boxes, which tells me that a lot of people are in denial. We live and work in boxes. People don't even notice that. Most of what's around us is banal. We live with it. We accept it as inevitable. People say, "This is the world the way it is, and don't bother me." Then when somebody does something different, real architecture, the push-back is amazing. People resist it. At first it's new and scary.
In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.
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