A Quote by Robert Barry

I always thought there was a - even in the most, quote, "conceptual art," there is always a physical aspect to it. I never knew what the term meant. — © Robert Barry
I always thought there was a - even in the most, quote, "conceptual art," there is always a physical aspect to it. I never knew what the term meant.
I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.
In conceptual art the idea or concept is the most important aspect of the work
I think the term 'conceptual art' is a useful term for writers, a basket to put people in, like Pop Art or Impressionism or whatever.
I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art.
My mother really didn't come from artists. Her famous quote to me was, "The only artists I've ever heard of are dead." The pottery classes were meant to be a part of my overall uplift. I knew what it meant to be sent to art classes, but I still didn't know anything about being an artist.
I always knew I'd be an actor. I always knew I'd at least be on a big screen somewhere. Everyone else I was watching, they were cool, but I thought that I could bring something fresh and new, even when I was really young. I didn't really know how it was going to pan out, for sure, but I always knew that one day I would be on the big screen. I had no doubts in my mind.
I buy a lot of fashion, and I wear many different brands. Even though I'm not so conceptual in my style, I probably buy the most from Junya Watanabe. It's always so spot on and of-the-moment although it's also so sophisticated and conceptual. I also love Marco de Vincenzo, Azzedine Alaia, and Yohji Yamamoto.
The best thing I ever learned from my dad was he knew he wasn't the best of singers, but he always knew he was a great entertainer, and I always thought that was a good concept to bring along, that ultimately acting is an entertainment art and you have to be aware of the fact that you want people to be excited to be watching you.
You always have to prove yourself. I always thought I had to go beyond things to get great grades. When I was applying for college, even though I knew I was going to play soccer, I always knew I had to do something above and beyond and not give anyone a reason not to overlook me.
It wasn't the ghetto here or anything like that. But it got rough. I'll put it this way. I always knew where I lived. I always knew I was in Seaside. That wasn't plush. I wasn't in Monterey. I wasn't in Carmel. I was in Seaside. I knew what that meant.
For me, I always have looked at 'indie' as a term of 'independence.' Never associated a sonic gesture with that in the same way that pop music has always meant 'popular' to me; you know, it didn't define a sound.
I always knew I wanted to be a musician, and I always knew I wanted to write, 'cause the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.
I always have looked at "indie" as a term of "independence." Never associated a sonic gesture with that in the same way that pop music has always meant "popular" to me it didn't define a sound. And I think now that has been the context for things. If something is indie, it almost has this sonic association with it, or pop has become this term of shame almost, like, bubblegum sweet pop.
I think of you, I dream of you, I conjure you up when I need you most. This is all I can do, but to me it isn't enough. It will never be enough, this I know; yet what else is there for me to do? If you were here, you would tell me, but I have been cheated of even that. You always knew the proper words to ease the pain I felt. You always knew how to make me feel good inside.
I remember how, in the corporate world, I always knew there was some higher position I could attain, which meant that, like Zeno's arrow, I was guaranteed never to arrive and always to remain dissatisfied.
I was always the poor kid, even though I very much tried to pretend to be the other way. Always well presented. Always really active in the school, doing fashion shows, plays, involved in every single aspect of the school. Overcompensating, I think, for the fact that I knew I wouldn't be going on the ski trip every January.
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