A Quote by Robert Barry

Developing your own style became something very interesting, very important to me. — © Robert Barry
Developing your own style became something very interesting, very important to me.
Developing projects of my own and producing and writing and directing is something that's very interesting to me, but you know, one step at a time and you've got to establish yourself on one side before you really have the power to do something else. That's always the immediate goal.
You should really stay true to your own style. When I first started writing, everybody said to me, 'Your style just isn't right because you don't use the really flowery language that romances have.' My romances - compared to what's out there - are very strange, very odd, very different. And I think that's one of the reasons they're selling.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
You've got to remember the Cold War was a very real thing then, so the relationship with the United States was very, very important. As was the relationship that I was developing with China: that was something I did very much. And they weren't conflicting things.
I needed to understand the spirit of a tall building, what makes it important, what should I try to achieve in a tall building. It became a very interesting problem, something that I like very much.
You have to find your own style, and it's difficult to define what style is. It's not what you're wearing; it's how you wear it. It's something very personal, and it reflects the way you live and your house, the books you read, the art you have.
Magazines don't have enough confidence to have their own style, so they use a borrowed style. That is shocking to me, but your perception is very accurate. It's a way to be more commercially viable, but to me, that's not having a style, that's having a schtick.
Style has become very important, the whole idea of style, what your personal style is. It's your identity.
When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
As I became very conscious and more aware of things I got very into the beatniks and that kind of stuff. They were very important to me for a few years.
There's times I've been quite nervous doing session work, such as when I'm asked to play the violin in a 'country and western' style or a 'gypsy' style. I'm not very good at that sort of playing at all. I think it's important as a session musician to have your own voice.
I studied philosophy in school, became disgruntled by the fact that it was a way to have a very interesting conversation with very few people about very few things in very narrow terms and yet still believed (and still believe today) that there was something that I was getting myself involved in when I said I wanted to study philosophy.
Analytical philosophy was very interesting. It always struck me as being very interesting and full of tremendous intellectual curiosities. It is wonderful to see the mind at work in such an intense manner, but, for me, it was still too far removed from my own issues.
Style is something very individual, very personal, and in their own unique way, I believe everyone is stylish.
When my mum passed away, I was very young, and I became very introverted and very quiet. I became very anxious about what people thought about me.
It is difficult to read the reviews when you start because you see something in your collection and the press sees something else. That is when you have to be very strong about your own style. They can say whatever they want, but I do what I do because I love it.
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